The Essays of Arthur Schopenhauer; The Art of Literature — Schopenhauer — John Shaqi
The Essays of Arthur Schopenhauer; The Art of Literature
Schopenhauer · en
But this style of writing becomes the height of absurdity when the
parenthesis are not even fitted into the frame of the sentence, but
wedged in so as directly to shatter it. If, for instance, it is an
impertinent thing to interrupt another person when he is speaking, it
is no less impertinent to interrupt oneself. But all bad, careless,
and hasty authors, who scribble with the bread actually before their
eyes, use this style of writing six times on a page, and rejoice in
it. It consists in--it is advisable to give rule and example together,
wherever it is possible--breaking up one phrase in order to glue in
another. Nor is it merely out of laziness that they write thus. They
do it out of stupidity; they think there is a charming _légèreté_
about it; that it gives life to what they say. No doubt there are a
few rare cases where such a form of sentence may be pardonable.
Few write in the way in which an architect builds; who, before he
sets to work, sketches out his plan, and thinks it over down to its
smallest details. Nay, most people write only as though they were
playing dominoes; and, as in this game, the pieces are arranged half
by design, half by chance, so it is with the sequence and connection
of their sentences. They only have an idea of what the general shape
of their work will be, and of the aim they set before themselves.
Many are ignorant even of this, and write as the coral-insects build;
period joins to period, and the Lord only knows what the author means.
Life now-a-days goes at a gallop; and the way in which this affects
literature is to make it extremely superficial and slovenly.
ON THE STUDY OF LATIN.
The abolition of Latin as the universal language of learned men,
together with the rise of that provincialism which attaches to
national literatures, has been a real misfortune for the cause of
knowledge in Europe. For it was chiefly through the medium of the
Latin language that a learned public existed in Europe at all--a
public to which every book as it came out directly appealed. The
number of minds in the whole of Europe that are capable of thinking
and judging is small, as it is; but when the audience is broken up and
severed by differences of language, the good these minds can do is
very much weakened. This is a great disadvantage; but a second and
worse one will follow, namely, that the ancient languages will cease
to be taught at all. The neglect of them is rapidly gaining ground
both in France and Germany.