The Essays of Arthur Schopenhauer; The Art of Literature — Schopenhauer — John Shaqi
The Essays of Arthur Schopenhauer; The Art of Literature
Schopenhauer · en
[Footnote 1: _Translator's Note._--Tomas de Yriarte (1750-91), a
Spanish poet, and keeper of archives in the War Office at Madrid. His
two best known works are a didactic poem, entitled _La Musica_, and
the _Fables_ here quoted, which satirize the peculiar foibles of
literary men. They have been translated into many languages; into
English by Rockliffe (3rd edition, 1866). The fable in question
describes how, at a picnic of the animals, a discussion arose as to
which of them carried off the palm for superiority of talent. The
praises of the ant, the dog, the bee, and the parrot were sung in
turn; but at last the ostrich stood up and declared for the dromedary.
Whereupon the dromedary stood up and declared for the ostrich. No one
could discover the reason for this mutual compliment. Was it because
both were such uncouth beasts, or had such long necks, or were neither
of them particularly clever or beautiful? or was it because each had a
hump? _No_! said the fox, _you are all wrong. Don't you see they are
both foreigners_? Cannot the same be said of many men of learning?]
In learning a language, the chief difficulty consists in making
acquaintance with every idea which it expresses, even though it should
use words for which there is no exact equivalent in the mother tongue;
and this often happens. In learning a new language a man has, as it
were, to mark out in his mind the boundaries of quite new spheres of
ideas, with the result that spheres of ideas arise where none were
before. Thus he not only learns words, he gains ideas too.
This is nowhere so much the case as in learning ancient languages, for
the differences they present in their mode of expression as compared
with modern languages is greater than can be found amongst modern
languages as compared with one another. This is shown by the fact that
in translating into Latin, recourse must be had to quite other turns
of phrase than are used in the original. The thought that is to be
translated has to be melted down and recast; in other words, it must
be analyzed and then recomposed. It is just this process which makes
the study of the ancient languages contribute so much to the education
of the mind.
It follows from this that a man's thought varies according to the
language in which he speaks. His ideas undergo a fresh modification,
a different shading, as it were, in the study of every new language.
Hence an acquaintance with many languages is not only of much indirect
advantage, but it is also a direct means of mental culture, in that it
corrects and matures ideas by giving prominence to their many-sided
nature and their different varieties of meaning, as also that it
increases dexterity of thought; for in the process of learning many
languages, ideas become more and more independent of words. The
ancient languages effect this to a greater degree than the modern, in
virtue of the difference to which I have alluded.