The World as Will and Idea (Vol. 3 of 3) — Schopenhauer — John Shaqi
The World as Will and Idea (Vol. 3 of 3)
Schopenhauer · en
originates, and the whole of which is denoted by “elective affinity” (an
expression which is entirely borrowed from the conscious will). But
Anatomy and Physiology allow us to see how the will conducts itself in
order to bring about the phenomenon of life and sustain it for a while.
Finally, the poet shows us how the will conducts itself under the
influence of motives and reflection. He exhibits it therefore for the most
part in the most perfect of its manifestations, in rational beings, whose
character is individual, and whose conduct and suffering he brings before
us in the Drama, the Epic, the Romance, &c. The more correctly, the more
strictly according to the laws of nature his characters are there
presented, the greater is his fame; hence Shakespeare stands at the top.
The point of view which is here taken up corresponds at bottom to the
spirit in which Goethe followed and loved the natural sciences, although
he was not conscious of the matter in the abstract. Nay more, this not
only appears from his writings, but is also known to me from his personal
utterances.
If we consider the will, where no one denies it, in conscious beings, we
find everywhere, as its fundamental effort, the _self‐preservation_ of
every being: _omnis natura vult esse conservatrix sui_. But all
manifestations of this fundamental effort may constantly be traced back to
a seeking or pursuit and a shunning or fleeing from, according to the
occasion. Now this also may be shown even at the lowest grades of nature,
that is, of the objectification of the will, where the bodies still act
only as bodies in general, thus are the subject‐matter of mechanics, and
are considered only with reference to the manifestations of
impenetrability, cohesion, rigidity, elasticity, and gravity. Here also
the _seeking_ shows itself as gravitation, and the _shunning_ as the
receiving of motion; and the _movableness_ of bodies by pressure or
impact, which constitutes the basis of mechanics, is at bottom a
manifestation of the effort after _self‐preservation_, which dwells in
them also. For, since as bodies they are impenetrable, this is the sole
means of preserving their cohesion, thus their continuance at any time.
The body which is impelled or exposed to pressure would be crushed to
pieces by the impelling or pressing body if it did not withdraw itself
from its power by flight, in order to preserve its cohesion; and when
flight is impossible for it this actually happens. Indeed, one may regard
_elastic_ bodies as the more _courageous_, which seek to repel the enemy,
or at least to prevent him from pursuing further. Thus in the one secret
which (besides gravity) is left by mechanics otherwise so clear, in the
communicability of motion, we see a manifestation of the fundamental
effort of the will in all its phenomena, the effort after self‐
preservation, which shows itself even at the lowest grades as that which
is essential.