A-B-C of motion picturesWelsh, Robert E. (Robert Emmet)
History
A-B-C of motion pictures
Welsh, Robert E. (Robert Emmet)
Motion pictures
Commercial reasons have likewise retarded the development of the
educational picture. Indeed, in view of the return that it was
possible, until recently, to secure from educational pictures, one
must compliment the manufacturers on the moderate attention they
have bestowed on the subject. Theater-managers have always been wary
of offering their audiences pictures that were avowedly educational,
so that the income from this source has always been small. Within
the past few years, however, schools and other institutions of an
educational character have devoted more attention to the possibilities
of the motion picture, and the development of systematic and profitable
methods of distribution is likely. Once this is brought about, the
growth in importance of the educational picture is certain to be
astounding.
The “industrial,” which is the trade term for the picture that is used
to advertise a particular product, is another field that has been only
slightly touched. There are a number of companies that specialize in
such work, but the stumbling-block thus far has been the exhibitor’s
unwillingness to show the pictures in his theater. He rightly feels
that the patron who has paid to see the performance feels cheated when
his time is taken up with a strictly advertising picture. Many of these
“industrials” can be made very interesting, however, by weaving light
stories around the product to be advertised, so that the advertiser
achieves his purpose indirectly and without the necessity of throwing
his sermon broadside at the spectator.
We recollect one such subject which was circulated by the makers of
a brand of ready-made women’s clothes. An elaborate social function
was the basis of the story, and two women who had been invited to the
affair the principal characters. One patronized a select Fifth Avenue
tailor who disappointed her at the eleventh hour and forced madam to
wear an old gown to the function. This tragedy to the female heart
was avoided by the second woman. More resourceful than her sister,
she purchased the advertised brand of apparel at a department store
and was later the envied center of attraction at the society affair.
To drive home his lesson the author now had the patron of exclusive
modistes visit a relative who lived in the city that was the home of
the ready-to-wear clothes. An invitation to visit the factory followed,
and the camera carried us along with madam through all the interesting
departments. Though it was advertising, such a picture could not fail
to appeal to women.
Public-domain text, read in full here on John Shaqi.
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