In 1892 appeared "Mr. Witt's Widow, a Frivolous Tale" of a lady who had "harmonious contrasts," such as dark eyes and golden hair. It foreshadows the power in plot-making that characterizes our author's later works. In the spring of 1893 appeared "Sport Royal," a collection of Mr. Hawkins' short stories, mostly from the _St. James' Gazette_. In "Half a Hero," published last year, there are several foreshadowings of "The Prisoner of Zenda." In both stories the scene is imaginary, but given realism by characteristics respectively of New Zealand and of Germany; in both intrigues and heroism are conspicuous, though in the latter the author did not adopt the old device of giving his hero some bad qualities to make him human. "Half a Hero" contains much firm, crisp character-drawing, and a strong love interest, but has the slight taint of the "purpose novel," already noted in Father Stafford; in this case, the discussion being politics, especially the "labor" element. Anthony Hope inherited refinement through a father in an exalted calling; he used his college advantages to the utmost, and now his interests are in living public affairs, and in his chosen calling as a lawyer, he has good opportunities to study life, and seems already to have well mastered the best elements of Anglo-Saxon character. From his work, he appears to have read widely and with a sympathetic eye for the merits of markedly diverse writers, which he seems to make his own. His style has the terseness and suggestiveness characteristic of Kipling, but without his harshness, and at times he shows a sense of beauty almost worthy of our own Hawthorne, and withal the military dash and snap of Lever. It would be strange if the foundation for the remarkably life-like colonists of "Half a Hero," and the German officers of "The Prisoner of Zenda," had had not been laid by travel and the observation of their more or less remote prototypes. "A Change of Air," while containing much of its humor and snap, furnishes a marked contrast to "The Prisoner of Zenda," and is in a more serious vein, having a strong and tragic undercurrent, and not without an element of peril. Confining its occurrences pretty severely to the possible and generally probable, it nevertheless is highly original. Dale Bannister, the wild young poet, who commences by thoroughly scandalizing Market Denborough, is a most picturesque and uncommon character. The effect of his early principles on his later life is deftly indicated. The story moves on steadily, and while it teaches a lesson of moderation and charity, it does so entirely by the acts and thoughts of the characters without any sermonizing on the part of the author. Some good authorities that have seen this book place it even above "The Prisoner of Zenda," which we probably shall see on the stage next year, as the author has a friend busily engaged on its dramatization. R. H. _July, 1894._