English essays -- 20th century; English fiction -- 20th century; Short stories, English
Such is the lesson man teaches, from the very birth, to every child of
his unstinted breeding. And well he teaches it. Of all his thousands
here to-night, drawn from his crowded, evil-smelling towns, not one has
gone apart on this black beach to spend a single minute with his shadow
and the wind and stars. His laughter fills the air, his ceaseless
chatter, songs, and fiddling, the clapping of his hands; so will it be
throughout his holiday.
And who so foolish as to say it is not good that man should talk and
laugh and clap his hands; who so blind as not to see that these are
antidotes to evils that his one great fear has brought to him? This ring
of him with vacant faces and staring eyes round that anæmic singer with
the worn-out voice, or the stout singer with the voice of brass, is but
an instance of Her irony: “This, then, is the medicine you have mixed,
my little man, to cure the pain of your fevered souls. Well done! But if
you had not left me you would have had no fever! There is none in the
wind and the stars and the rhythm of the sea; there is none in green
growth or fallen leaves; in my million courses it is not found. Fever is
fear--to you alone, my restless mannikin, has fever come, and this is
why, even in your holiday, you stand in your sick crowds gulping down
your little homœopathic draughts!”
The show is over. The pipes of noise are still, the lights fall dark,
and man is left by the black beach with nothing to look on but the sky,
or hear but the beat of wave-wings flighting on the sea. And suddenly in
threes and fours he scurries home, lest for one second he should see Her
face whose smile he cannot bear.
FACTS
XI
FACTS
Public-domain text, read in full here on John Shaqi.
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