A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare — John Shaqi
A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
gazes across the sands to the mightily troubled ocean: “What is the
storm to me any more!” he cries; “it is but the clashing of countless
water-drops!” He finds relief in the discovery that, the moment you
place man in the midst of it, the clashing of water-drops becomes a
storm, terrible to heart and brain: human thought and feeling, hope,
fear, love, sacrifice, make the motions of nature alive with mystery and
the shadows of destiny. The relief, however, is but partial, and may be
but temporary; for what if this mingling of man and Nature in the mind
of man be but the casting of a coloured shadow over her cold
indifference? What if she means nothing--never was meant to mean
anything! What if in truth “we receive but what we give, and in our life
alone doth Nature live!” What if the language of metaphysics as well as
of poetry be drawn, not from Nature at all, but from human fancy
concerning her!
At length, from the unknown, whence himself he came, appears an angel to
deliver him from this horror--this stony look--ah, God! of soulless law.
The woman is on her way whose part it is to meet him with a life other
than his own, at once the complement of his, and the visible presentment
of that in it which is beyond his own understanding. The enchantment of
what we specially call _love_ is upon him--a deceiving glamour, say
some, showing what is not, an opening of the eyes, say others, revealing
that of which a man had not been aware: men will still be divided into
those who believe that the horses of fire and the chariots of fire are
ever present at their need of them, and those who class the prophet and
the drunkard in the same category as the fools of their own fancies. But
what this love is, he who thinks he knows least understands. Let foolish
maidens and vulgar youths simper and jest over it as they please, it is
one of the most potent mysteries of the living God. The man who can love
a woman and remain a lover of his wretched self, is fit only to be cast
out with the broken potsherds of the city, as one in whom the very salt
has lost its savour. With this love in his heart, a man puts on at least
the vision robes of the seer, if not the singing robes of the poet. Be
he the paltriest human animal that ever breathed, for the time, and in
his degree, he rises above himself. His nature so far clarifies itself,
that here and there a truth of the great world will penetrate, sorely
dimmed, through the fog-laden, self-shadowed atmosphere of his
microcosm. For the time, I repeat, he is not a lover only, but something
of a friend, with a reflex touch of his own far-off childhood. To the
youth of my history, in the light of his love--a light that passes
outward from the eyes of the lover--the world grows alive again, yea
radiant as an infinite face. He sees the flowers as he saw them in
boyhood, recovering from an illness of all the winter, only they have a
yet deeper glow, a yet fresher delight, a yet more unspeakable soul. He
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