A kiss for Cinderella: A comedyBarrie, J. M. (James Matthew)
General
A kiss for Cinderella: A comedy
Barrie, J. M. (James Matthew)
Comedy plays; Fantasy drama; London (England) -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Drama
CINDERELLA (_stung_). So is everybody (_pathetically_). I’ve tried.
But it’s none so easy, with never no butcher’s meat in the house.
You’ll see where the su-perb shoulders and the haughty manners come
from if you look in shop windows and see the whole of a cow turned
inside out and ‘Delicious’ printed on it.
POLICEMAN (_always just_). There’s something in that.
CINDERELLA (_swelling_). But it doesn’t matter how fine the rest of
you is if you doesn’t have small feet.
POLICEMAN. I never gave feet a thought.
CINDERELLA. The swells think of nothing else. (_Exploding._) Wait
till you are at the Ball. Many a haughty beauty with superb uppers
will come sailing in—as sure of the prize as if ‘Delicious’ was
pinned on her—and then forward steps the Lord Mayor, and, _utterly
disregarding her uppers_, he points to the bottom of her skirt, and
he says ‘Lift!’ and she _has_ to lift, and there’s a dead silence,
and nothing to be heard except the Prince crying ‘Throw her out!’
POLICEMAN (_somewhat staggered by her knowledge of the high life_).
What’s all this about a ball?
(CINDERELLA _sees she has said too much and her mouth shuts_.)
Was you ever at a ball?
CINDERELLA (_with dignity_). At any rate I’ve been at the Horse
Show.
POLICEMAN. A ball’s not like a Horse Show.
CINDERELLA. You’ll see.
POLICEMAN (_reverting to business_). It all comes to this, are you
genteel, or common clay?
CINDERELLA (_pertly_). I leaves that to you.
POLICEMAN. You couldn’t leave it in safer hands. I want a witness
to this.
CINDERELLA (_startled_). A witness! What are you to do?
(_With terrible self-confidence he has already opened the
door and beckoned._ MR. BODIE _comes in anxiously_.)
POLICEMAN. Take note, sir. (_With the affable manner of a
conjuror._) We are now about to try a little experiment, the object
being to discover whether this party is genteel or common clay.
CINDERELLA. Oh, Mr. Bodie, what is it?
BODIE (_remembering what he has been told of the Scotland Yard
test_). I don’t like.... I won’t have it.
POLICEMAN. It gives her the chance of proving once and for all
whether she’s of gentle blood.
CINDERELLA (_eagerly_). Does it?
BODIE. I must forbid....
CINDERELLA (_with dreadful resolution_). I’m ready. I wants to know
myself.
POLICEMAN. _Ve_—ry well. Now then, I heard you say that the old
party downstairs had paid you your wages to-day.
CINDERELLA. I see nothing you can prove by that. It was a
half-week’s wages—1s. 7d. Of course I could see my way clearer if
it had been 1s. 9d.
POLICEMAN. That’s neither here nor there. We’ll proceed. Now, very
likely you wrapped the money up in a screw of paper. Did you?
(_She is afraid of giving herself away._)
Thinking won’t help you.
CINDERELLA. It’s _my_ money.
BODIE. Nobody wants your money, Cinderella.
POLICEMAN. Answer me. Did you?
CINDERELLA. Yes.
POLICEMAN. Say ‘I did.’
CINDERELLA. I did.
Public-domain text, read in full here on John Shaqi.
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