A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense.Unknown
Science
A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense.
Unknown
Formulas, recipes, etc.; Workshop recipes
59. ETCHING IN AQUA-TINTA.--Polish the plate of copper, the same as
for engraving; moisten the plate with water and sift on finely
powdered rosin and gum-asphaltum, so as to nearly cover the plate;
then warm the plate sufficient to make the powder adhere, but not to
melt it entirely. Transfer the design to the plate, and cover such
parts as are intended to remain white, with a varnish composed of bees
wax and linseed oil, which may be coloured a very little with black,
and must be applied to the work, while warm, with a camel hair pencil.
Then fix a border of wax round the plate, and pour on diluted nitric
acid. In about one minute, pour off the acid, and wash the plate with
clear water, but without effecting the varnish;--dry the plate, and
apply the varnish to such parts of the design as are intended to have
but a faint shade; then apply the acid for a minute or two longer.
Thus proceed biting in, and stopping out alternately, till every part
of the design has acquired its proper shade. But if any part requires
a darker shade than the ground, the powdered rosin may be removed from
such parts with a scraper. When the plate has become sufficiently
corroded, the varnish may be washed off with oil, or spirits of
turpentine, and the plate may be cleansed with whiting.
60. COPPER-PLATE PRINTING.--The paper on which impressions from a
copper-plate are to be taken, should be moistened, or wet down two or
three days previous to printing; this is performed by dipping the
sheets in water severally, and then laying them all together under a
heavy weight till they are used. When the paper is ready, the
copper-plate may be warmed over a chafing dish of coals, and the
engraved side completely covered and all the lines filled with common
printing ink, or ink made of Frankfort black, finely ground in old
linseed oil. This may be done by means of a printing ball, or the ink
may be spread on the plate with a smooth stiff brush. The plate may
then be wiped with a piece of linen or cotton cloth, and afterward
with the hand, being passed slowly but hardly over the plate to take
off all the ink except what remains in the lines of the engraving; to
accomplish which more effectually, the hand may be rubbed occasionally
with dry whiting. When the plate is thoroughly cleaned of the
redundant ink, it may be laid on the table of a rolling press, and
having a sheet of the moistened paper laid upon the face of it, and a
piece of fine broad-cloth over the paper, the whole may be passed
through the press. Then on taking up the paper, it will be found to
have received a black impression from the plate, according to the
engraving or etching, and the plate may be again carried to the fire,
to be blacked again as before. This is the usual manner of printing;
but when a rolling press is not at hand, the plate and moistened paper
may by other means, be pressed hard and firmly together, and the paper
will have received the impression equally as fair. Any of the colours,
Public-domain text, read in full here on John Shaqi.
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