Free verse; Modernism (Literature); Poetry, Modern -- 20th century -- History and criticism
reasonably be restricted to: ‘Made In pursut and in possession as
follows’: since it is the first line of the sestet, it is more likely
to refer forward than back. As a matter of fact, it does both.
The comma between _in quest_ and _to have extreame_ has been
moved forward to separate _have_ from _extreame_. The line
originally stood for a number of interwoven meanings:
1. The taker of the bait, the man in pursuit and in possession of lust,
is made mad, is made like this: he experiences both extremes at once.
(What these extremes are the lines following show.)
2. The _Had, having, and in quest_, might have been written
in parentheses if Shakespeare had used parentheses. They say, by
way of interjection, that lust comprises all the stages of lust:
the after-lust period (_Had_), the actual experience of lust
(_having_), and the anticipation of lust (_in quest_); and
that the extremes of lust are felt in all these stages (_to have
extreame_, _i.e._ to have extremes, to have in extreme degrees).
3. Further, one stage in lust is like the others, as extreme as the
others. All the distinctions made in the poem between _lust in
action_ and lust _till action_, between lust _In pursut_
and lust _in possession_ are made to show that in the end there
are no real distinctions. _Had, having and in quest_ is the
summing up of this fact.
4. The _Had_, _having_, separately sum up _possession_:
that is, the _action_ of lust includes the _expence of
Spirit_, _the waste of shame_. The _in quest_, naturally
refers to _In pursut_.
5. It must be kept in mind throughout that words qualifying the
lust-business refer interchangeably to the taker (the man who lusts),
the bait (the object of lust) and lust in the abstract. So: _Had_
may mean the swallowing of the bait by the taker, or the catching of
the taker by the bait, or ‘lust had’, or ‘had by lust’; _having_
and _in quest_ are capable of similar interpretations.
Public-domain text, read in full here on John Shaqi.
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