Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English
And the dance begins. Youths and maidens advance to meet each other with
graceful movements. Every step must be a thing of beauty, every bend and
rising, while the double flutes play faster and faster, and the measured
rhythm becomes a wild whirl. They all know the dance, and the music is a
guide to the feeling to be expressed; the dancing must be suited to
it. Every gesture is a stroke of color which may beautify or mar the
picture. Body and spirit are in perfect harmony, combining to represent
the feelings that stir the soul. It is a work of art, the art of the
arms and feet. Even when passion is at the highest the guiding law is
observed. Nay, when the dancers fly wildly apart, they, not merely come
together again with unerring certainty, but form in new combination
another delightful and perfectly harmonious picture.
“Seek and find” this dance might be called, for the first idea is to
represent the wandering of Demeter in search of her daughter Persephone,
whom Pluto has carried off to the nether world, till she finds her and
clasps her in her motherly arms once more. Thus does the earth bewail
the reaped fruit of the field, which is buried in the ground in the
winter sowing, to rise again in the spring; thus does a faithful heart
pine during absence till it is reunited to the beloved one; thus do we
mourn our dead till our soul is assured of their resurrection: and this
belief is the end and clew to the mystery.
All this grief and search, this longing and crying for the absent, this
final restoration and the bliss of new possession, is set forth by the
youths and damsels-now in slow and now in vehement action, but always
with infinite grace.
Melissa threw her whole soul into the dance while Demeter was seeking
the lost Persephone, her thoughts were with her brothers; and she
laughed as heartily as any one at the jests with which Iambe cheered the
stricken mother. And when the joy of meeting was to find expression, she
need not think of anything but the fact that the youth who held out his
hand to her loved her and cared for her. In this, for the moment, lay
the end of all her longing and seeking, the fulfillment of every wish;
and as the chorus shouted, “Iakchos!” again and again, her soul seemed
to have taken wings.
The reserve of her calm and maidenly nature broke down; in her ecstasy
she snatched from her shoulder the wreath of ivy with which Diodoros had
decked her, and waved it aloft. Her long hair had fallen loose in the
dance and flowed wildly about her, and her shout of “Iakchos!” rang
clear in the night air.
Public-domain text, read in full here on John Shaqi.
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