"I'll enlighten your ignorance. Of course you don't. David, old man, you've had the old rattle-trap tuned because of the hope that rises eternal. Visions keep on coming to you of a woman, some indistinct, shadowy, composite creature of your imagination. You expect her to float into your room, in the dim future and in defiance of all propriety, and sit down before that ancient spinet. "You keep it ready for her; it awaits her coming. To tell you the truth, I'm glad you had it tuned. It shows that you still possess some human traits. I'll come, some day, and we'll go over and capture Frieda Long. We will take her to dinner at Camus, and give her a benedictine and six cups of black coffee. After that we'll get a derrick and hoist her to your top floor, and she'll play Schubert, till the cows come home or the landlady puts us out. She's a wonder!" "She's a great artist and a dear, lovable woman," I declared. "That's probably why she never had a love story," conjectured Gordon. "Always had so much affection for the general that she could never descend to the particular. By the way, I went to her studio for a look at her portrait of Professor Burberry." "It's good, isn't it?" "Man alive! It's so good, I should think the old fellow would be offended. Through her big dabs of paint he's shown up to the life. You can see his complacency bursting out like a flaming sunflower. Upon his homely mug are displayed all the platitudes of Marcus Aurelius. He is instinct with ignorance that Horace was a drummer for Italian wines and an agent for rural residences, just a smart advertiser, a precursor of the fellows who write verse for the Road of Anthracite or canned soup, and Burberry has never found it out. He would buy splinters from the wooden horse of Troy, and only avoids gold bricks because they're modern. It's a stunning picture!" That's one reason why I am so fond of Gordon. He's a great portraitist, and far more successful than Frieda, but he is genuine in his admiration of good work. He is rather too cynical, of course, but at the bottom of it there usually lies good advice to his friends. I'm very proud he continues to stick to me. "I understand he was greatly pleased," I told him, "and I was awfully glad that Frieda got the commission. She needed it." "Yes, I told her that she ought to go off for a rest in the country," he remarked, "but it seems she has one of her other queer ideas that must be worked out at once. She itched to be at it, even while she was painting Burberry. Mythological, I think, as usual, that latest notion of hers. Some demigod whispering soft nothings to a daughter of men. Showed me a dozen charcoal compositions for it, all deucedly clever. And how are the other animals in the menagerie you live in now?"