United States -- Social life and customs -- 19th century -- Fiction
The fortunate Vice-President suddenly called upon by destiny to guide the
ship of state, the soldier who sees a possible Victoria Cross in a
hazardous engagement, can have a faint conception of Aunt Hitty’s feeling
on this momentous occasion. Funerals were the very breath of her life.
There was no ceremony, either of public or private import, that, to her
mind, approached a funeral in real satisfying interest. Yet, with
distinct talent in this direction, she had always been “cabined, cribbed,
confined” within hopeless limitations. She had assisted in a secondary
capacity at funerals in the families of other people, but she would have
revelled in personally conducted ones. The members of her own family
stubbornly refused to die, however, even the distant connections living
on and on to a ridiculous old age; and if they ever did die, by reason of
a falling roof, shipwreck, or conflagration, they generally died in Texas
or Iowa, or some remote State where Aunt Hitty could not follow the
hearse in the first carriage. This blighted ambition was a heart-sorrow
of so deep and sacred a character that she did not even confess it to
“Si,” as her appendage of a husband was called.
Now at last her chance for planning a funeral had come. Mrs. Butterfield
had no kith or kin save her niece, Lyddy Ann, who lived in Andover, or
Lawrence, or Haverhill, Massachusetts—Aunt Hitty couldn’t remember which,
and hoped nobody else could. The niece would be sent for when they found
out where she lived; meanwhile the funeral could not be put off.
She glanced round the house preparatory to locking it up and starting to
notify Anthony Croft. She would just run over and talk to him about
ordering the coffin; then she could attend to all other necessary
preliminaries herself. The remains had been well-to-do, and there was no
occasion for sordid economy, so Aunt Hitty determined in her own mind to
have the latest fashion in everything, including a silver coffin-plate.
The Butterfield coffin-plates were a thing to be proud of. They had been
sacredly preserved for years and years, and the entire
collection—numbering nineteen in all—had been framed, and adorned the
walls of the deceased lady’s best room. They were not of solid silver,
it is true, but even so it was a matter of distinction to have belonged
to a family that could afford to have nineteen coffin-plates of any sort.
Public-domain text, read in full here on John Shaqi.
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