United States -- Social life and customs -- 19th century -- Fiction
Aunt Hitty planned certain dramatic details as she walked down the road
to Croft’s. It came to her in a burst of inspiration that she would have
two ministers: one for the long prayer, and one for the short prayer and
the remarks. She hoped that Elder Weeks would be adequate in the latter
direction. She knew she couldn’t for the life of her think of anything
interesting to say about Mrs. Butterfield, save that she possessed
nineteen coffin-plates, and brought her hens to Edgewood every summer for
their health; but she had heard Elder Weeks make a moving discourse out
of less than that. To be sure, he needed priming, but she would be equal
to the occasion. There was Ivory Brown’s funeral: how would that have
gone on if it hadn’t been for her? Wasn’t the elder ten minutes late,
and what would his remarks have amounted to without her suggestions? You
might almost say she was the author of the discourse, for she gave the
elder all the appropriate ideas. As she had helped him out of the waggon
she had said: “Are you prepared? I thought not; but there’s no time to
lose. Remember there are aged parents; two brothers living—one
railroading in Spokane Falls, the other clerking in Washington, D.C.
Don’t mention the Universalists—there’s be’n two in the fam’ly; nor
insanity—there’s be’n one o’ them. The girl in the corner is the one
that the remains has be’n keeping comp’ny with. If you can make some
genteel allusions to her, it’ll be much appreciated by his folks.”
As to the long prayer, she knew that the Rev. Mr. Ford could be relied on
to pray until Aunt Becky Burnham should twitch him by the coat-tails.
She had done it more than once. She had also, on one occasion, got up
and straightened his ministerial neckerchief, which he had gradually
“prayed” around his saintly neck until it had lodged behind the right
ear.
These plans proved so fascinating to Aunt Hitty that she walked quite
half a mile beyond Croft’s, and was obliged to retrace her steps.
Meantime, she conceived bands of black alpaca for the sleeves and hats of
the pall-bearers, and a festoon of the same over the front gate, if there
should be any left over. She planned the singing by the choir. There
had been no real choir-singing at any funeral in Edgewood since the Rev.
Joshua Beckwith had died. She would ask them to open with—
[Picture: Music: Rebel mourner, cease your weepin’. You too must die]
This was a favourite funeral hymn. The only difficulty would be in
keeping Aunt Becky Burnham from pitching it in a key where nobody but a
soprano skylark, accustomed to warble at a great height, could possibly
sing it. It was generally given at the grave, when Elder Weeks
officiated; but it never satisfied Aunt Hitty, because the good elder
always looked so unpicturesque when he threw a red bandanna handkerchief
over his head before beginning the twenty-seven verses. After the long
prayer, she would have Almira Berry give for a solo—
Public-domain text, read in full here on John Shaqi.
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