I explained that my writing was a stern business which would admit of no
distractions. I have found that even a very comfortable study is a bad
place for the cultivation of thought. A wooden bench and bare walls, or
the "fender end" of my childhood and a block on my knee produced the
best results.
But to return to the only thing that matters at the moment. I am
reduced to a cabbage patch. Even that is a misnomer, for there is not
even a "Kailyaird runt" i.e. remnant, on that little ugly bit of mother
earth.
It is a slice of No Man’s Land that has never grown anything but weeds.
It is relieved by a background of trees, our own chestnuts, Cornelia,
whose glory of pink-and-white cones we used to watch till they were
mirrored in all their majesty in the clean depths of the backwater above
the fall.
When I want positively to revel in heartbreak, to be homesick and
unashamedly miserable (which I fear I am most of the time, since Himself
retired from the scene), I go to the uttermost edge of my No Man’s Land,
where I can hear the rush and tumble of the waterfall, though I cannot
see its foaming tears.
To descend to mundane things, let me explain that this house belonged to
a master-builder who once upon a time had his workshop and all the
paraphernalia of his business in the backyard. After a while he secured
more ambitious premises, and carried away all the plant, leaving us the
legacy of a concrete floor in the very middle of the patch.
So before we can obey the Food Administrator’s order to plant potatoes,
the concrete will have to be broken up and removed by the hand of George
Cook.
His face was a study when I explained that as the young doctor preferred
to drive the car himself, his, George’s, job would be to make the desert
blossom like the rose. He looked at me, and then at it, queerly, with
his one active eye; pulled his forelock with rather a grim smile, and
went forth for a pick. Inside of an hour he had started on that task
and now the thud of the pick is the music to which I waken of a morning.
Sometimes consulting together (I am beginning to be interested, though I
try not to be), we doubt very much whether the concrete plus the
ineradicable root of an obnoxious weed called horseradish, will ever be
gotten out in time for a spring crop. But Cook is very dogged; and the
joy of the creator is beginning to lay hold on him. I find it is a
better day’s work when I potter round the patch, sympathising and
anathematising turn about. Anyhow, the work of reconstruction, as
ordained by Himself, is going forward cheerfully. The workmen are in
possession of most of the rooms, and I am just about as uncomfortable
and as busy as the most active housewife could desire to be.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account