Anna Seward, and Classic LichfieldMartin, Stapleton
History
Anna Seward, and Classic Lichfield
Martin, Stapleton
English poetry -- 18th century -- History and criticism; Seward, Anna, 1742-1809; Women poets -- Biography
She appears to have liked all things bright and beautiful. “It is too
seldom,” she wrote, “that people express a conscious enjoyment of the
present. While regret is busy with the past, and expectation with the
future, _ennui_ usurps the place of cheerful feelings, and thinks coldly
of the social, and yawns through the studious hour.” But as to Balls,
she tells us, “I am one of the creatures that love not Balls in general.”
Had she lived now, she probably would have approved of women having
votes, for, concerning a book published in her life-time, entitled,
“Rights of Woman,” she wrote:—“It has, by turns, pleased and displeased,
startled, and half-convinced me that its author is oftener right than
wrong. Though the ideas of absolute equality in the sexes are carried
too far, and though they certainly militate against St. Paul’s maxims
concerning that important compact, yet they do expose a train of
mischievous mistakes in the education of females.” We may note that Tom
Paine, “the greatest of pamphleteers,” died in 1809, whose pamphlets,
“The Rights of Man,” and “The Age of Reason,” achieved great success.
Anna Seward sympathised with the views expressed in his books on the
French Revolution, though she considered many of his views on politics
far too fanciful to be put into practice; moreover, she thought they
would, if adopted, “ruin the earth.”
Her affection for a Mr. Saville (“a man of sense, and a scholar”) who was
for 48 years Vicar-choral of Lichfield Cathedral, appears to have been
merely platonic, though deep and sincere. In a letter dated August 31st,
1803, she tells us that, “the dearest friend I had on earth, passed in
one quarter of an hour, from apparent health and even gay vivacity, to
the silence and ghastliness of death.” He died August 2nd, 1803, aged 67
years. She erected a monument to his memory in the Cathedral, and
composed the verses inscribed on it. His vault is on the south side of
the green surrounding the Cathedral.
In a letter to Sir Walter Scott, written in 1807, the poetess remarks
that her “astonishment and disgust” rose to their utmost height while she
read Wordsworth’s poem, “The Daffodils”—“dancing daffodils, ten thousand,
as he says, in high dance in the breeze beside the river, whose waves
dance with them, and the poet’s heart, we are told, danced too.” She
deemed this unnatural writing, and mentions some of his verses she liked,
notably the “Leech-Gatherer.” If he had written nothing else, that
composition might stamp him, she thought, a poet of no common powers.
Lovers of poetry generally, however, think “The Daffodils” one of the
most beautiful poems ever written.
Public-domain text, read in full here on John Shaqi.
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