London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
The conditions of the household in Harley Street were favourable to the
development of unceremonious intimacy. Mrs. Farquharson herself was bred
in that strange London world we call Bohemia. Her father, long since
dead, had been a journalist, a hack story-writer, a maker of plays,
sometimes editor of a smart weekly, at others acting manager of a
provincial company. Like most men of his type he spent his money as fast
as he earned it, and when work came to a temporary standstill drew upon
the prospects of his next success. His daughter Caroline had grown up in
cheerful familiarity with this hand to mouth, makeshift existence. She
had been called upon so often from her earliest childhood to condone the
faults of her father and those of his intimates, who were men of much
the same mould as himself, that a general habit of indulgence became
natural to her. Folly seemed so inherent a quality in humanity that not
to smile tolerantly, even though reprovingly, upon it was with her an
impossibility. The lowering of moral tone that might have resulted from
this mental attitude, and from a continuance of the same conditions of
life, was prevented by her early marriage with a man of assured income
and position. Her father died shortly afterwards and her connection
with the seamy side of Bohemianism was thoroughly broken off. But the
ingrained habits of freedom and carelessness still remained. She could
never learn to be methodical, systematic. She had an inherited dread
of account-books, household rules, fixed hours for meals, and appointed
places for every domestic article. It was fortunate for her that she had
married a man who worshipped her, and himself shared her distaste for
rigidly organised life. His means had placed him beyond the necessity
of working for his livelihood, and so the free life in a home where he
could work, idle, eat, and receive his friends at any hour of the day or
night was as much to his own taste as to that of his wife.
Public-domain text, read in full here on John Shaqi.
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