London (England) -- Fiction; Man-woman relationships -- Fiction; Women artists -- Fiction
It was impossible that such a house should not possess a charm for those
to whom the Farquharsons gave their friendship. The absence of
formality encouraged expansiveness and individuality. There was a tacit
understanding that one had a right not only to oneself, but to the
appreciation of oneself by the host and hostess. It was this that Clytie
had felt during her first visit, and it attracted her more and more to
them as time went on. Gradually the house became a second home to her,
and Mrs. Farquharson a friend such as she had never known before. She
could go to her for strength and comfort during her fits of depression
when the time seemed out of joint, and she did not in the least seem
called upon to set it right. The restraints of strict draughtsmanship,
academic modelling and grouping, chafed her as her simple arithmetic had
done at school. She longed to throw them off and to plunge back into her
old artistic wilfulnesses. But these occasions generally coincided with
fresh sensations of restraint in her home life, and she was wise enough
to appreciate the fact.
During this period an incident occurred in her life, giving it fresh
colour and helping her to realise herself more fully. Her girlhood had
been far removed from the lax sphere of idle flirtation in which many
girls are brought up. The young men of Durdleham, who might have been
attracted towards her by her beauty, were frozen by her scarcely veiled
impatience at their society.
The dominant impulse towards active search after life had swayed her
to the exclusion of any less powerful motive, and it had scarcely
yet occurred to her that her personality might interest and possibly
influence others. She was too absorbed in her work, in her dimly
shadowed yet ever-haunting plans for the future, in the individualities
round her, in the foretaste of that full sense of living, in the
stirring objectivity of London life, to dwell at all earnestly on
subjective matters and to devote much attention to self-analysis. It is
only when the question, “How do others affect me?” ceases to interest
that the other question, “How does my personality affect others?” begins
to assume a paramount importance. The possibility of a man falling in
love with her was a factor as yet absent from her scheme of practical
life.
She learned that such an event had occurred from Mrs. Farquharson. She
had gone to her one Monday morning, depressed, out of tune, to seek
consolation.
“Oh, why am I not a man?” she exclaimed petulantly. “Why can't I live by
myself, go where I like, and see what I want to see?”
Her friend laughed good-humouredly.
“You want to do too much at once, my dear. The world's your oyster, as
ancient Pistol said, and you would force it open with one wrench. As
for wishing to be a man, you are by no means original. Lots of girls
say that, but when they grow older they think it's just as well for them
that they are women.”
Public-domain text, read in full here on John Shaqi.
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