England -- Social life and customs -- 19th century -- Fiction
The end was not quite so eloquent as the beginning of his speech, but
the musician had also caught the eye of the latest comer as she stirred
the grounds of her tea mechanically and looked across the room at him,
and he became suddenly conscious that there was somebody in the room who
was actually inclined to laugh at him. So he stumbled slightly over his
last words, and blushed a little at his own emotion; but the other
ladies were glancing at one another with much sympathy as if to show
that they thoroughly understood all he meant and felt, and they
evidently expected some more to follow. So he ran his fingers through
his hair again, and looked at Mrs. Reginald Routh, and tried to forget
the gray-eyed girl in the warmth of his cause.
"It is not Parliamentary reform, it is not any revolution, or series of
revolutions, that will bring Socialism. It is we ourselves who must give
it birth after much pain and sorrow, even as a mother--" here the
exclusive nature of the audience struck him, and he paused abruptly,
until he remembered that he was a prophet, and might use any
questionable metaphor he pleased without impropriety--"even as a mother
brings forth the child who is to become her joy and her comfort. It is
the spirit of altruism that has to be diffused among us, and when we
have once realized that the 'will to live' as Schopenhauer puts it, is
the one to be controlled, and that the finest of all things is to
die,--that is, of course, to live,--to live for the good of the
Commonwealth, then shall we be prepared for the enjoyment of perfect
art, and then shall the musician,--that is, of course, the _art_ of the
musician,--be allowed to exist without such sordid considerations as
bread and butter and a roof. I use art in its highest, its only real
sense, as meaning music only; such imitative branches as literature and
painting will not then be practised. I--I beg your pardon?"
"Please don't stop," urged the gray-eyed girl, who had painted certain
hot sunsets and purple mists during her travels on the Continent, and
had shown in her face what she thought of the musician's last words, "I
would not interrupt for the world. I don't know anything about
Socialism, or any of the other things you mention except painting, which
is evidently doomed. So pray go on, I find it most entertaining."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account