At the Sign of the Cat and RacketBalzac, Honoré de
General
At the Sign of the Cat and Racket
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
Thus conversing, the family reached the Church of Saint-Leu. There
Madame Guillaume reasserted her rights, and, for the first time, placed
Augustine next herself, Virginie taking her place on the fourth chair,
next to Lebas. During the sermon all went well between Augustine and
Theodore, who, standing behind a pillar, worshiped his Madonna with
fervent devotion; but at the elevation of the Host, Madame Guillaume
discovered, rather late, that her daughter Augustine was holding her
prayer-book upside down. She was about to speak to her strongly, when,
lowering her veil, she interrupted her own devotions to look in the
direction where her daughter’s eyes found attraction. By the help of her
spectacles she saw the young artist, whose fashionable elegance seemed
to proclaim him a cavalry officer on leave rather than a tradesman of
the neighborhood. It is difficult to conceive of the state of violent
agitation in which Madame Guillaume found herself--she, who flattered
herself on having brought up her daughters to perfection--on discovering
in Augustine a clandestine passion of which her prudery and ignorance
exaggerated the perils. She believed her daughter to be cankered to the
core.
“Hold your book right way up, miss,” she muttered in a low voice,
tremulous with wrath. She snatched away the tell-tale prayer-book and
returned it with the letter-press right way up. “Do not allow your
eyes to look anywhere but at your prayers,” she added, “or I shall
have something to say to you. Your father and I will talk to you after
church.”
These words came like a thunderbolt on poor Augustine. She felt faint;
but, torn between the distress she felt and the dread of causing a
commotion in church she bravely concealed her anguish. It was, however,
easy to discern the stormy state of her soul from the trembling of her
prayer-book, and the tears which dropped on every page she turned. From
the furious glare shot at him by Madame Guillaume the artist saw the
peril into which his love affair had fallen; he went out, with a raging
soul, determined to venture all.
“Go to your room, miss!” said Madame Guillaume, on their return home;
“we will send for you, but take care not to quit it.”
The conference between the husband and wife was conducted so secretly
that at first nothing was heard of it. Virginie, however, who had tried
to give her sister courage by a variety of gentle remonstrances, carried
her good nature so far as to listen at the door of her mother’s bedroom
where the discussion was held, to catch a word or two. The first time
she went down to the lower floor she heard her father exclaim, “Then,
madame, do you wish to kill your daughter?”
“My poor dear!” said Virginie, in tears, “papa takes your part.”
“And what do they want to do to Theodore?” asked the innocent girl.
Public-domain text, read in full here on John Shaqi.
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