Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman EmpirePutnam, George Haven
History
Authors and their public in ancient times : $b a sketch of literary conditions and of the relations with the public of literary producers, from the earliest times to the fall of the Roman Empire
Putnam, George Haven
Authors and readers -- History; Authorship -- History; Books -- History -- To 400; Literature, Ancient -- Appreciation; Literature, Ancient -- Criticism, Textual; Literature, Ancient -- Manuscripts
The earliest specimen of Chaldean literature which has as yet been
discovered, and which is probably the oldest example of writing at
present known, is given on a tablet of baked clay now in the British
Museum. This tablet was made up by George Smith out of a mass of
scattered fragments which had been brought from the Assyrian mounds.
In going over the collection of inscribed tiles, Smith came across
a small fragment the inscription on which evidently referred to the
Flood, and in the course of his own three sojourns in Mesopotamia he
was fortunate enough, after many months of patient labor, to find a
large portion of the fragments required to complete the tablet and to
give the main portion of the narrative. Such success could hardly have
been possible if the royal library of Nineveh had not contained several
copies of the Flood tablet, as was evinced by the finding of duplicates
or triplicates of certain of the portions. The tablet, as now put
together, comprises eighteen pieces, and presents, notwithstanding a
number of gaps, a fairly complete account of the Flood. The incidents
are so far paralleled by those given in the Genesis narrative, that it
is evident either that the two scribes derived their information from
the same sources, or that the Hebrew story has been based upon the
Chaldean record. According to Lenormant, Smith, and Hommel, the former
was inscribed about 4000 B.C., in that case ante-dating by more than
two thousand years the actual writing of the Book of Genesis. Ragozin
speaks of “the ancestors of the Hebrews, during their long sojourn in
the land of Shinar, having become familiar with the legends and stories
contained in the collection of the Assyrian priests, and after working
these over after their own superior religious lights, having shaped
from them the narrative which was written down many centuries later as
part of the Book of Genesis.”[1]
=Egypt.=--The literature of Egypt probably ranks next to that of
Chaldea in point of antiquity. In fact, not a few of the archæologists
have contended that the civilization of Egypt was of still earlier
development than that of the countries of Mesopotamia or of any other
portion of the world.
The earliest Egyptian writings were, with few exceptions, theological
in their character and appear to have originated in the temples.
First among the authors of Egypt stands, according to tradition,
Thoth-Hermes, the ibis-headed god of wisdom and of literature, the
“Lord of the Hall of Books.” His companion is the beautiful Ma, goddess
of truth and justice, a very proper associate for the founder of a
nation’s literature.
By later generations, Thoth-Hermes came to be known as Hermes
Trismegistus, the god of threefold greatness or majesty. The forty-two
works, the authorship of which is ascribed to Thoth or Trismegistus,
formed, according to Karpeles, a kind of national encyclopædia,
presenting the canon of the faith and the knowledge of ancient Egypt.
Public-domain text, read in full here on John Shaqi.
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