American fiction -- 20th century; Bohemianism -- Fiction
Carl listened with a feeling of impotent anger. Yes, they were probably
right in their commands and he would be a scoundrel if he refused to
obey them and rescue them from their poverty; but--well, he preferred
to be a scoundrel. “Beyond a doubt I’m a lazy, ungrateful wretch, and
all that I care for is to put words together--that seems to relieve me
somehow--but say, how about sticking to what I am?” he asked himself.
“I know perfectly well that I’ll never change, and if I make a liar
out of the rest of my life that won’t make me any the less guilty.
Besides, it’s funny, but I don’t know whether I want to change.
There’s something satisfactory about being a scoundrel--it lets you
do the things that you want to do; while being good, as far as I can
see, is just pretending that you like to do the things that you don’t
want to do. Well, I’m not going to stand for that! I’ve got to choose
between hurting my parents and hurting myself and they are going to be
the victims. This will be mighty selfish, I know, but I guess I’m a
naturally selfish person. Anyway, I don’t feel much love for them and
I don’t see that it will help them if I try to hide my feelings. They
would find out sooner or later what an inhuman person I am and they
might as well find out now.”
Carl answered the verbose commands and advice of his parents with a
mechanical “yes” now and then--a small shield to protect the inner
unfolding of his thoughts--and walked into his bedroom, where he rested
his dull broodings upon a pillow. The lives of some men represent a
scale of gradually increasing compromises with, or victories against,
the forces surrounding them, while other men crowd their decision into
one early moment and walk swiftly down an unchanging road. The boy with
Carl died upon the bed in his room and the fumbling, stiffly vindictive
beginning of a man rose and walked into the street, with an evil
smile petrifying the softness of his face. In this emotional birth he
became to himself a huge black criminal staggering beneath the weight
of unreleased plots, and he derived an angry joy from this condition,
reveling in the first guilty importance that had invaded his meekly
repressed life.
Public-domain text, read in full here on John Shaqi.
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