The foundress wished her college to be
styled "The Hall of Valence Marie", and such is its proper name.
Lastly, King's College was dedicated to St. Mary and St. Nicholas.
Before turning to the more modern aspect of Cambridge, the subject
demands that something should be said of those notable periods of
prosperity, the fifteenth and sixteenth centuries. The evidence of
the growth and power of the University during those years lies, for
the visitor, in the number and magnificence of the buildings then
undertaken which have survived till our own day the dual tests of
time and taste. Of the original buildings of those early colleges to
which reference has already been made next to nothing remains. The
shell of the old court at Corpus is still standing; but this part of
the college has been re-roofed, most of the windows in it are of a
late period, and it is almost wholly covered with ivy. Some of the
masonry forming the south wall of the Peterhouse kitchen is perhaps
as old as anything in Cambridge; and this quaint corner of the oldest
college is the subject of an illustration to the present volume. The
Chapel of this college is of the seventeenth century. The Library is
late Tudor. The Hall and Combination Room are part restorations and
part a matter of fresh designing. The work was undertaken between
1866-70. Gilbert Scott, William Morris, Burne-Jones, and Ford Madox
Brown had each a hand in it. Trinity Hall has been almost entirely
rebuilt. All save the Library, which is late Tudor and which lies
beyond the main quadrangle, is of late eighteenth-century design.
The lodge and certain newer buildings are said to be commodious.
They are none the less ugly. The rebuilding of Clare Hall began
during the reign of Charles I and was continued during the
interregnum; but it was not finished until the eighteenth century had
entered upon the last quarter of its course. As it stands to-day, it
is perhaps the most perfect example of the Carolian style in England.
The little bow window over the gateway is remembered as the favourite
seat of a certain fellow of the College, who lived and died more than
a hundred years ago, and of whom it is recorded that, being at feud
with the Master of his College, he chose this particular set of
chambers, because of the chance it afforded him of successfully
spitting at that unlucky dignitary as he entered or left the college
precincts.
[Illustration: ERASMUS' TOWER, QUEENS' COLLEGE]
Public-domain text, read in full here on John Shaqi.
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