The northern face of the court is good, solid, ugly Queen Anne work, which has, of late years, been spoiled rather than improved. On this side is the Hall with great sash-windows, which the famous Clare creeper does not succeed in hiding. The Chapel is a plain building of excellent proportions. Internally, it has most of the virtues and faults of a Georgian college chapel: the domical antechapel is an original feature. On the whole, Clare, which covers less ground than most colleges, is, architecturally, among the best; but it is a pity that all was not carried out in the style of the western side, which is almost unrivalled in any country, considering its date. The celebrated bridge, not unlike the Kitchen Bridge at St John’s, belongs to the reign of Charles I. and is therefore contemporary with the older part of the court. It is well set off by its charming surroundings. The architect of this bridge, completed in 1640, was Robert Grumbold, who was master-mason to the college, and worked at Great St Mary’s as well as at Clare. [Illustration: Clare Bridge] * * * * * The idea of Clare Hall originated with Richard de Badew, who, in 1326, while Chancellor of the University, founded a small college called University Hall. The first master of this new foundation was Walter of Thaxted. But, in the twelfth year of its existence, the college was burned down. Usually the present college dates its foundation from 1338, when the rebuilding began, but the actual date at which Elizabeth de Burgh took over the foundation was 1342. She was daughter and coheir of Gilbert, Count of Clare, Hertford and Gloucester. Clare lies on the border of Suffolk and Essex, and the college was essentially an Essex colony. Two of the early masters, Walter of Thaxted and William of Radwinter, came from villages in the same part of the county, and their names, occurring not far apart, argue a certain feeling in favour of natives of the district. There was for a long time a tradition that Clare Hall was the Soler Hall of Chaucer’s _Reve’s Tale_, but it is not necessary to suppose that Chaucer had any particular college in his mind. His use of the epithet “great” may point to Clare and distinguish it from the numerous hostels which were then springing up in Cambridge; but there can be no certainty on the point. Chaucer merely borrowed a tale from Boccaccio and put it into English dress, without any particular accuracy of detail.