A slight highlight along the curve of crystal brought back to him for a
moment the blue ceramic vase that had been there in his memory. It was
coated with glaze that was shot through with myriad cracks. It was
cylindrical, straight, then suddenly veering to a small mouth, slightly
off center. The burnished red wood behind the vivid, turquoise blue was
a combination that was almost too rich, too sensual. He had broken the
vase. He had broken it in surprise, when his sister had come in on him
suddenly, the little girl with hair black as his own, only more of it,
saying, "What are you doing, Jon?" and he had jumped, turned, and then
the vase was lying in fragments on the floor, like a lot of bright,
brittle leaves made out of stone. He remembered his first reaction had
been, oddly, surprise at finding that the glaze covered the inside as
well as the outside of the vase. He was fourteen.
He walked to the family dining room and stepped inside. With the
ballroom in use, no one would come here. Stepping into the room was like
stepping into a cricket's den, the subtle _tsk-tsk_ of a thousand clocks
repeated and repeated, overlapping and melting, with no clear,
discernible rhythm. The wall by the door was lined with shelves and they
were filled with his father's collection of chronometers. He looked at
the clocks on the shelf level with his eye. The last time he had been in
this room, it had been the shelf below. The light from the door made a
row of crescents on the curved faces, some the size of his little finger
nail, others the diameter of his head. Their hands were invisible, their
settings were dim. (In his memory they went from simple gold to ornately
carved silver, and one was set in an undersea bower with jeweled shells
and coral branches.) There must be many new clocks after five years, he
thought. If he turned on the light, how many would he recognize?
(When he was eighteen, he had stood in this room and examined the thin,
double prong of a fire-blade. The light in the room was off, and as he
flicked the button on the hilt, and the white sparks leaped out and up
the length of the blade, the crescents flamed on the edges of the clock
faces, all along the wall. Later, at the royal palace, with that same
blade, there had been the same, sudden, clumsy fear at discovery, fear
clotting into panic, the panic turning to confusion, and the confusion
metastasizing into fear again, only fear all through him, dragging him
down, so that when he tried to run down the vaulted hall, his feet were
too heavy, so that when he tripped against the statue in the alcove,
whirled upon the pursuing guard, and swung the white needle of energy
down and the guard's flesh hissed and fell away--a moment of blood
spurring under pale flame--almost immediately he was exhausted. They
took him easily after that.)
Public-domain text, read in full here on John Shaqi.
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