Celtic MSS. in relation to the Macpherson fraud: With a review of Professor Freeman's criticism of [P.B. Du Chaillu's] "The Viking Age," by the author of "Celticism a myth"Roger, James Cruikshank
History
Celtic MSS. in relation to the Macpherson fraud: With a review of Professor Freeman's criticism of [P.B. Du Chaillu's] "The Viking Age," by the author of "Celticism a myth"
Roger, James Cruikshank
Celtic literature -- History and criticism; Ossian, active 3rd century
on special subjects submitted to his decision. He is first told what to
say, and then cited by his instructors, as an authority for statements
which they themselves have put into his mouth. Perhaps, under the
circumstances, this may not be an exceptional manner of dealing with
matters of disputed history, but it is certainly not the way to reach
the truth that reveals itself to intelligence. “In workmanship,” M.
Worsaae says, “the Hunterston brooch resembles the contemporary Irish
and Scotch more than Scandinavian ornaments.” Now, it certainly does no
such thing. It does not appear to me that as regards the Scandinavian
remains of Great Britain, one like M. Worsaae groping his way darkly
with the help of such lights as he can find is at all competent to
pronounce dogmatic judgments. Ireland and Scotland were invaded, and
subdued, and peopled by the Northmen, and brooches of the self-same
character are found in the Viking interments of Scandinavia. The
contemporary Irish and Scotch brooches may reasonably be presumed to
be Scandinavian. The resemblance of the Hunterston brooch to that
found at Tara, and to others of like character found in Scotland is
certainly not greater than to the brooch in the Bergen Museum exhumed
from a Viking mound at Vambheim, or to that dug up at North Trondheim
in another grave of the Viking period. The inscription contained on the
Hunterston brooch proves to demonstration, not only that its art, and
that of all others of kindred type is Scandinavian, but that the name
“Melbridg” is Norwegian. Whatever be the _origin_ of the art exhibited
on the brooches, it is plain that this cannot be Celtic, inasmuch as
that no one has ever shewn that the Celts possessed any knowledge of
art. It is all very well to talk in an off-handed way about Celtic
art, but something more than this is necessary to carry conviction.
To my perceptions a Celtic statement is much improved by some form of
_evidence_. Dr. Soderberg of Lund doubts if I will find many adherents
among Scandinavian scholars. “We are all of us,” he says, “more or
less imbued with Celticism.” So much the worse for Scandinavia,
that her sons deny her legitimate claims to her own historic and
archaic remains. It is not however, as I think, so much a question of
scholarship as of practical sense, the capacity to deal with facts
which may be weighed by anyone possessed of ordinary reasoning power
or capable of speech and thought in their simplest forms. One can
understand a Scotch antiquary of the Celtic type placing himself in
an attitude of antagonism, just as we might imagine Professor Freeman
gliding like a shark along the Saxon line ready to do battle on behalf
of his cherished delusion, because that to both of these the Northman
theory is total extinction. But that the Scandinavian antiquary, who
as regards his national remains has no reason to falsify the facts of
history, should in the interest of an exotic fable, waste his ingenuity
Public-domain text, read in full here on John Shaqi.
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