Ceremonies of the Pomo IndiansBarrett, S. A. (Samuel Alfred)
Religion
Ceremonies of the Pomo Indians
Barrett, S. A. (Samuel Alfred)
Pomo Indians -- Social life and customs; Pomo dance
[4] The reason for the throwing of the beads is as follows: Pomo
custom prescribes a period of mourning lasting one year. If a dancer
so far forgets his sorrow as actively to participate in a ceremony
of this kind before the expiration of the prescribed mourning period
after the death of a friend or relative some atonement is required.
It is customary under such circumstances for some one in the audience
to throw some loose shell-beads at the dancer, these being evidently
intended as an offering to the spirits and having nothing directly to
do with the dancer himself.
[5] For a description of this large semi-subterranean structure see
"Pomo Buildings," by the present author in the _Holmes Anniversary
Volume_.
[6] These words are in the Eastern Pomo dialect.
THE GHOST OR DEVIL CEREMONY
This ceremony was perhaps the most important of the four-day ceremonies
of the Pomo. It was usually held in the spring and was witnessed only
by properly initiated men, never by women or children. The uninitiated
men, as well as the women and children, were much afraid of these
dancers and kept a very respectful distance when they entered the
village. This was due to the belief that to approach closely would
produce serious illness.
Such esoteric ceremonies are unusual among the Pomo, though they occur
among other California tribes. As examples might be mentioned the Hesi
ceremony among the Wintun and Maidu, especially among the Maidu, who
have a definite secret society.
STEPHEN POWERS ON THE GHOST DANCE
The ghost dance of the Pomo has been attributed by Powers[7] to a
secret society. In speaking of the subject of chastity among the Pomo,
he describes a "devil-raising" ceremony conducted by what he terms
a "secret society" which had several branches in the various Pomo
villages. His description of this ceremony is given from information
obtained by him from an old resident closely connected with the Indians
of the region in early days, and, while his assumptions and deductions
are in many respects incorrect, it is plainly a description of the
ghost dance.
After speaking of the "secret society ... whose simple purpose is to
conjure up infernal terrors and render each other assistance in keeping
their women in subjection," Powers says:[8]
Public-domain text, read in full here on John Shaqi.
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