Charles Dickens: A critical studyChesterton, G. K. (Gilbert Keith)
General
Charles Dickens: A critical study
Chesterton, G. K. (Gilbert Keith)
Dickens, Charles, 1812-1870
Dickens was great because he was immoderately possessed with all this;
if we are to understand him at all we must also be moderately possessed
with it. We must understand this old limitless hilarity and human
confidence, at least enough to be able to endure it when it is pushed
a great deal too far. For Dickens did push it too far; he did push the
hilarity to the point of incredible character-drawing; he did push the
human confidence to the point of an unconvincing sentimentalism. You
can trace, if you will, the revolutionary joy till it reaches the
incredible Sapsea epitaph; you can trace the revolutionary hope till it
reaches the repentance of Dombey. There is plenty to carp at in this
man if you are inclined to carp; you may easily find him vulgar if you
cannot see that he is divine; and if you cannot laugh with Dickens,
undoubtedly you can laugh at him.
I believe myself that this braver world of his will certainly return;
for I believe that it is bound up with realities, like morning and
the spring. But for those who beyond remedy regard it as an error,
I put this appeal before any other observations on Dickens. First
let us sympathize, if only for an instant, with the hopes of the
Dickens period, with that cheerful trouble of change. If democracy has
disappointed you, do not think of it as a burst bubble, but at least
as a broken heart, an old love-affair. Do not sneer at the time when
the creed of humanity was on its honeymoon; treat it with the dreadful
reverence that is due to youth. For you, perhaps, a drearier philosophy
has covered and eclipsed the earth. The fierce poet of the Middle Ages
wrote, “Abandon hope all ye who enter here” over the gates of the lower
world. The emancipated poets of to-day have written it over the gates
of this world. But if we are to understand the story which follows,
we must erase that apocalyptic writing, if only for an hour. We must
recreate the faith of our fathers, if only as an artistic atmosphere.
If, then, you are a pessimist, in reading this story, forego for a
little the pleasures of pessimism. Dream for one mad moment that the
grass is green. Unlearn that sinister learning that you think so clear;
deny that deadly knowledge that you think you know. Surrender the very
flower of your culture; give up the very jewel of your pride; abandon
hopelessness, all ye who enter here.
CHAPTER II
THE BOYHOOD OF DICKENS
Charles Dickens was born at Landport, in Portsea, on February 7, 1812.
His father was a clerk in the Navy Pay-office, and was temporarily
on duty in the neighbourhood. Very soon after the birth of Charles
Dickens, however, the family moved for a short period to Norfolk
Street, Bloomsbury, and then for a long period to Chatham, which thus
became the real home, and for all serious purposes, the native place of
Dickens. The whole story of his life moves like a Canterbury pilgrimage
along the great roads of Kent.
Public-domain text, read in full here on John Shaqi.
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