Short stories, French -- Translations into English; World War, 1914-1918 -- Fiction
It was a long, narrow apartment where there were four beds and four
men. It was, notwithstanding, called Revaud’s room, because the
personality of Revaud filled it from wall to wall. It was just the
size for Revaud, exactly fitting like a tailor-made coat. In the
beginning of November there had been all kinds of nasty intrigues
hatched by Corporal Têtard to get Revaud removed elsewhere; and, the
intrigues succeeding, the poor man was taken up to another storey and
placed in a large dormitory of twenty beds--a bewildering desert, no
longer homely, but ravaged by a raw, cruel light. In three days, by an
involuntary decision of his body and soul, Revaud had got worse to such
an alarming extent that he had to be carried down with great haste and
placed behind the door in his own room, where the winter light came
filtering in, full of kindliness.
And thus things remained; whenever a seriously wounded man, an
extraordinary case, was brought to the division, Mme. Baugan was asked
to go and see Revaud at once and “sound him on the question.”
Revaud pretended to make things rather difficult at first, and ended by
saying:
“Very well; I am quite willing. Put the man in my room....”
And Revaud’s room was always full. To be there, you had to have more
than a mere bagatelle of a wound: a broken foot, or some trivial little
amputation in the arm. It was necessary to have “some unusual and queer
things”--a burst intestine, for example, or a displaced spinal cord, or
yet cases in which “the skull has been bent in or the urine doesn’t
come out where it used to before the war.”
“Here,” Revaud used to say with pride, “there are only very rare cases.”
There was Sandrap, “who had to have his needs satisfied through a hole
in his side”--Sandrap, a little man from the north, with a round nose
like a fresh apple, with beautiful eyes of a delicate grey colour of
silk. He had been wounded three times, and used to say every morning:
“They’d be surprised, the Boches, if they could see me now.”
There was Remusot, who had a large wound in the chest. It made a
continual Faoo aoo ... Raoo aoo ... Faoo ... Raoo ...; and Revaud had
been asking from the first day:
“What a funny noise you’re making! D’you do it with your mouth?”
In a hoarse voice he wheezed:
“It is my breath escaping between my ribs.”
And lastly there was Mery, whose spine had been broken by an aerial
torpedo, and who “no longer felt the lower part of his body, as if it
didn’t belong to him.”
All this little world was living on its back, each in his place, in a
promiscuous atmosphere of smells, of sounds, and sometimes of thought.
The men recognised each other by their voices rather than by their
faces; and there was one great week when Sandrap was seen by Revaud as
he was being carried to the dressing-room in a stretcher on a level
with the bed, and the latter exclaimed suddenly:
“Hallo! is that you, Sandrap? What a funny head you have got! And your
hair is even funnier.”
Public-domain text, read in full here on John Shaqi.
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