French fiction -- Translations into English; Man-woman relationships -- Fiction; Young men -- Fiction
You cannot imagine the deep emotion this strange education has awakened
in me. When I think I have made Laurence's dead heart beat, I am tempted
to kneel and thank God. Without doubt, I exaggerate the sanctity of my
mission. I say to myself that the love of a pure creature would sanctify
me less than the devotion this poor girl will some day feel for me.
That day is yet afar off. My companion is embarrassed by my respect for
her. She, whom insults do not affect, colors to the roots of her hair
when I talk to her in a brotherly fashion, intent upon my good work.
Sometimes, I see her hesitate before answering me, apparently doubting
that it was to her I had spoken. She is amazed at not being reproached,
and seems ill at ease because of my delicate attentions. The mask of
innocence, which I have forced her to put on, worries her: she knows not
how to bear esteem. Often I surprise a smile on her lips; she must think
that I am mocking her, and this smile seems to ask me to kindly stop
joking.
In the evening, at bed-time, she puts out the candle before undressing;
she draws over her the corners of the coverings, and takes advantage of
my sleep to leap from her couch in the morning. When she talks, she
selects her words; following my example, she avoids being familiar with
me.
I cannot tell why these precautions disturb me: I see in them more of
constraint than true repentance. I feel that she acts and talks as she
does out of fear of displeasing me, but that, so far as she herself is
concerned, she is indifferent about her behavior and would as soon talk
the language of the markets as not. She cannot have acquired so quickly
a knowledge of her errors. I tell you, brothers, Laurence is afraid of
me: such is the result of a week of respect.
As soon as she rises, she makes a grand toilet; she runs to the
looking-glass and forgets herself there for an hour. She is in haste to
repair the disorders of the night. Her thin locks are let fall, showing
bare places on her head; her cheeks, from which the rouge has been
rubbed, are pale and faded. She knows that she no longer has her
borrowed youth, and is afraid that I will notice its absence should I
turn my gaze upon her. The poor girl, who has lived beneath a coat of
paint, fears lest I should drive her away when I see her without it. She
combs her hair laboriously, puffing out her locks and skilfully
concealing the vacant spots left by those which are gone; she blackens
her eyelashes, whitens her shoulders and reddens her lips. Meanwhile I
keep my back turned towards her, feigning to see nothing of all this.
Then, when she has painted her face and thinks herself sufficiently
young and beautiful, she comes to me smilingly. She is calmer, feeling
certain that she is safe. She offers herself fearlessly to my eyes. She
forgets that I cannot be deceived by the pretty colors she has put on,
and seems to think that when I see them I am satisfied.
Public-domain text, read in full here on John Shaqi.
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