American fiction -- 19th century; Short stories, American
The thing was done without the faintest effort at concealment, in a room
where at least forty pairs of eyes were fixed upon him.
There was, of course, an immediate uproar. In an instant every one was
on his feet; Mr. Ambrose was surrounded. Men were shaking their fists in
his face, screaming at him excitedly, calling him ugly names. He gazed
at them placidly, vaguely. It was clear he did not grasp the situation.
Somebody must needs intervene.
“I saw what Monsieur did. I am sure it was with no ill intention. He
made no effort at concealment. It was done in a fit of absence of mind.
Look at him. He is a very old man. You can see he is bewildered. He does
not even yet understand what has happened. He should never have come
here, at his age. He should never have been allowed to take the bank.
Let the croupier pay both sides. Then I will take Monsieur away.”
Somehow I got him out of the Casino, and led him to his hotel, a small
hotel in the least favoured quarter of the town, the name of which I
had a good deal of difficulty in extracting from him. On the way thither
scarcely a word passed between us. I forbore to tell him who I was; of
course, he did not recognise me. But all the while a pertinacious little
voice within me insisted: “He did it deliberately. He deliberately
tried to cheat. With his gaze concentrated on his vision, he could
see nothing else; he could see no harm in trying to cheat at cards. He
needed money—it didn’t matter how he obtained it. The other players
were phantasms—where’s the harm in cheating phantasms? Only he
forgot—or, rather, he never realised—that the phantasms had
eyes, that they could see. That’s why he made no effort at
concealment.”—Was the voice right or wrong?
I parted with him at the door of his hotel; but the next day a feeling
grew within me that I ought to call upon him, that I ought at least to
call and take his news. They told me that he had left by an early train
for Paris.
As I have been writing these last pages, a line of Browning’s has
kept thrumming through my head. “This high man, with a great thing to
pursue... This high man, with a great thing to pursue...” How does it
apply to Mr. Ambrose? I don’t know—unless, indeed, a high man, with
a great thing to pursue, is to be excused, is to be pitied, rather than
blamed, if he loses his sense, his conscience, of other things, of small
things. After all, wasn’t it because he lost his conscience of small
things, that he missed his great thing?
TIRALA-TIRALA...
Public-domain text, read in full here on John Shaqi.
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