But these confidences, short-lived as they were, had--in spite of their tragic ending--done their work with Yetta. They had suddenly opened a window in the wall of the dark room where she lived. Through it she saw, as through a glass darkly, a fair garden, lit with the sunlight of laughter, a garden where blossomed the wondrous flowers of music, of joy--of Romance. Since the recent development of "Child Study," since grave and erudite professors have written learned volumes on the subject of "Play," many things, which former generations thought lightly of, have taken on importance. In the gurgling of a month-old baby we now see an experimentation with, a training of, the vocal apparatus which may later win the plaudits of a crowded opera or sway the council chamber of a nation. It is no longer senseless and rather disgusting noise. It is part of the profound development of Man. The haphazard muscular reflexes of a five-year-old boy--the running violently to nowhere in particular, the jumping over nothing at all--is no longer, as our grandfathers held, an aimless and sometimes bothersome amusement. A human being is getting acquainted with the intricate system of nerve complexes and motor-muscles which is to carry him through his allotted work in the world. And the little girl with her sawdust doll has become a portentous thing. If she does not learn to hold it properly at seven, her real babies, when she is twenty-seven, are likely to fare badly. Yetta had never had dolls. There had been no younger children in her household. She had never associated with boys. In a starved, vicarious way, through the confidence of Rachel, she had begun to "play" with the ideas of marriage, of home-making, of babies. An unrest, the cause of which she did not guess, had invaded her. She was just coming into womanhood. Nature was working deep and momentous changes in her being. It is a transition which may be beautiful and joyous if freedom for play is given to the developing organs and nerve-centres. Because of her starved childhood it came to Yetta late and abruptly. She was becoming a woman in an environment where nobody wanted anything but wage-earning "hands." And so to her it meant erratic moods of black despair, of uncontrolled and ludicrous lyricisms, of sudden and senseless timidities, abnormal, insane desires. Unless something happened, her womanhood was to be wasted. She had sore need of a Prince in Silver Armor. But no Princes go about nowadays rescuing fair damsels from the Ogre Greed. However, Rachel had opened a window on a quasi-fairyland where, if there were no bona fide princes, there were at least some "swell-looking men." And just as she was getting intoxicated with the wonderful vision, the window was slammed shut in her face. CHAPTER III THE SWEAT-SHOP