Aschenbach was half minded to raise a warning finger. "I advise you,
Cristobulus," he thought, smiling, "to travel for a year! For you need
that much time at least to get over it." And then he breakfasted on
large ripe strawberries which he got from a peddler. It had become very
warm, although the sun could no longer penetrate the blanket of mist in
the sky. Laziness clogged his brain, even while his senses delighted in
the numbing, drugging distractions of the ocean's stillness. To guess,
to puzzle out just what name it was that sounded something like "Adgio,"
seemed to the sober man an appropriate ambition, a thoroughly
comprehensive pursuit. And with the aid of a few scrappy recollections
of Polish he decided that they must mean Tadzio, the shortened form of
Tadeusz, and sounding like Tadziu when it is called.
Tadzio was bathing. Aschenbach, who had lost sight of him, spied his
head and the arm with which he was propelling himself, far out in the
water; for the sea must have been smooth for a long distance out. But
already people seemed worried about him; women's voices were calling
after him from the bathing houses, uttering this name again and again.
It almost dominated the beach like a battle-cry, and with its soft
consonants, its long drawn u-note at the end, it had something at once
sweet and wild about it: "Tadziu! Tadziu!" He turned back; beating the
resistent water into a foam with his legs he hurried, his head bent down
over the waves. And to see how this living figure, graceful and
clean-cut in its advance, with dripping curls, and lovely as some frail
god, came up out of the depths of sky and sea, rose and separated from
the elements--this spectacle aroused a sense of myth, it was like some
poet's recovery of time at its beginning, of the origin of forms and the
birth of gods. Aschenbach listened with closed eyes to this song ringing
within him, and he thought again that it was pleasant here, and that he
would like to remain.
Later Tadzio was resting from his bath; he lay in the sand, wrapped in
his white robe, which was drawn under the right shoulder, his head
supported on his bare arm. And even when Aschenbach was not observing
him, but was reading a few pages in his book, he hardly ever forgot that
this boy was lying there and that it would cost him only a slight turn
of his head to the right to behold the mystery. It seemed that he was
sitting here just to keep watch over his repose--busied with his own
concerns, and yet constantly aware of this noble picture at his right,
not far in the distance. And he was stirred by a paternal affection, the
profound leaning which those who have devoted their thoughts to the
creation of beauty feel towards those who possess beauty itself.
Public-domain text, read in full here on John Shaqi.
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