Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
There is not an English writer this day living who is not perfectly
convinced that your lordship excels all others in all the several parts
of poetry which you have undertaken to adorn. The most vain and the most
ambitions of our age have not dared to assume so much as the competitors
of Themistocles: they have yielded the first place without dispute; and
have been arrogantly content to be esteemed as second to your lordship,
and even that also with a _longo_, _sed proximi intervallo_. If there
have been, or are, any who go farther in their self-conceit, they must be
very singular in their opinion; they must be like the officer in a play
who was called captain, lieutenant, and company. The world will easily
conclude whether such unattended generals can ever be capable of making a
revolution in Parnassus.
I will not attempt in this place to say anything particular of your lyric
poems, though they are the delight and wonder of the age, and will be the
envy of the next. The subject of this book confines me to satire; and in
that an author of your own quality, whose ashes I will not disturb, has
given you all the commendation which his self-sufficiency could afford to
any man—“The best good man, with the worst-natured muse.” In that
character, methinks, I am reading Jonson’s verses to the memory of
Shakespeare; an insolent, sparing, and invidious panegyric: where good
nature—the most godlike commendation of a man—is only attributed to your
person, and denied to your writings; for they are everywhere so full of
candour, that, like Horace, you only expose the follies of men without
arraigning their vices; and in this excel him, that you add that
pointedness of thought which is visibly wanting in our great Roman.
There is more of salt in all your verses than I have seen in any of the
moderns, or even of the ancients: but you have been sparing of the gall;
by which means you have pleased all readers and offended none. Donne
alone, of all our countrymen, had your talent, but was not happy enough
to arrive at your versification; and were he translated into numbers and
English, he would yet be wanting in the dignity of expression. That
which is the prime virtue and chief ornament of Virgil, which
distinguishes him from the rest of writers, is so conspicuous in your
verses that it casts a shadow on all your contemporaries; we cannot be
seen, or but obscurely, while you are present. You equal Donne in the
variety, multiplicity, and choice of thoughts; you excel him in the
manner and the words. I read you both with the same admiration, but not
with the same delight. He affects the metaphysics, not only in his
satires, but in his amorous verses, where Nature only should reign; and
perplexes the minds of the fair sex with nice speculations of philosophy,
when he should engage their hearts and entertain them with the softnesses
of love. In this (if I may be pardoned for so bold a truth) Mr. Cowley
Public-domain text, read in full here on John Shaqi.
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