Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
has copied him to a fault: so great a one, in my opinion, that it throws
his “Mistress” infinitely below his “Pindarics” and his later
compositions, which are undoubtedly the best of his poems and the most
correct. For my own part I must avow it freely to the world that I never
attempted anything in satire wherein I have not studied your writings as
the most perfect model. I have continually laid them before me; and the
greatest commendation which my own partiality can give to my productions
is that they are copies, and no farther to be allowed than as they have
something more or less of the original. Some few touches of your
lordship, some secret graces which I have endeavoured to express after
your manner, have made whole poems of mine to pass with approbation: but
take your verses all together, and they are inimitable. If, therefore, I
have not written better, it is because you have not written more. You
have not set me sufficient copy to transcribe; and I cannot add one
letter of my own invention of which I have not the example there.
It is a general complaint against your lordship, and I must have leave to
upbraid you with it, that, because you need not write, you will not.
Mankind that wishes you so well in all things that relate to your
prosperity, have their intervals of wishing for themselves, and are
within a little of grudging you the fulness of your fortune: they would
be more malicious if you used it not so well and with so much generosity.
Fame is in itself a real good, if we may believe Cicero, who was perhaps
too fond of it; but even fame, as Virgil tells us, acquires strength by
going forward. Let Epicurus give indolency as an attribute to his gods,
and place in it the happiness of the blest: the Divinity which we worship
has given us not only a precept against it, but His own example to the
contrary. The world, my lord, would be content to allow you a seventh
day for rest; or, if you thought that hard upon you, we would not refuse
you half your time: if you came out, like some great monarch, to take a
town but once a year, as it were for your diversion, though you had no
need to extend your territories. In short, if you were a bad, or, which
is worse, an indifferent poet, we would thank you for our own quiet, and
not expose you to the want of yours. But when you are so great, and so
successful, and when we have that necessity of your writing that we
cannot subsist entirely without it, any more (I may almost say) than the
world without the daily course of ordinary Providence, methinks this
argument might prevail with you, my lord, to forego a little of your
repose for the public benefit. It is not that you are under any force of
working daily miracles to prove your being, but now and then somewhat of
extraordinary—that is, anything of your production—is requisite to
refresh your character.
Public-domain text, read in full here on John Shaqi.
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