Discourses on Satire and on Epic Poetry — John Shaqi
Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
In the meantime, as a counsellor bred up in the knowledge of the
municipal and statute laws may honestly inform a just prince how far his
prerogative extends, so I may be allowed to tell your lordship, who by an
undisputed title are the king of poets, what an extent of power you have,
and how lawfully you may exercise it over the petulant scribblers of this
age. As Lord Chamberlain, I know, you are absolute by your office in all
that belongs to the decency and good manners of the stage. You can
banish from thence scurrility and profaneness, and restrain the
licentious insolence of poets and their actors in all things that shock
the public quiet, or the reputation of private persons, under the notion
of humour. But I mean not the authority which is annexed to your office,
I speak of that only which is inborn and inherent to your person; what is
produced in you by an excellent wit, a masterly and commanding genius
over all writers: whereby you are empowered, when you please, to give the
final decision of wit, to put your stamp on all that ought to pass for
current and set a brand of reprobation on clipped poetry and false coin.
A shilling dipped in the bath may go for gold amongst the ignorant, but
the sceptres on the guineas show the difference. That your lordship is
formed by nature for this supremacy I could easily prove (were it not
already granted by the world) from the distinguishing character of your
writing, which is so visible to me that I never could be imposed on to
receive for yours what was written by any others, or to mistake your
genuine poetry for their spurious productions. I can farther add with
truth, though not without some vanity in saying it, that in the same
paper written by divers hands, whereof your lordship’s was only part, I
could separate your gold from their copper; and though I could not give
back to every author his own brass (for there is not the same rule for
distinguishing betwixt bad and bad as betwixt ill and excellently good),
yet I never failed of knowing what was yours and what was not, and was
absolutely certain that this or the other part was positively yours, and
could not possibly be written by any other.
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