Great Britain. Army -- Ordnance facilities; World War, 1914-1918
It would be impossible for me to describe in detail all the factories
I was able to see, but in many of them I gleaned particulars which
show plainly the way that war work is being pushed through. I suppose
that if there is any one branch of munitions which the Front wants to
hear about it is the output of shells. Shells and guns count for so
much nowadays, a devastating artillery fire so eases the work of the
attack, a heavier opposing fire is so appallingly destructive to an
advance, the whole moral and physical effect of a superior artillery is
so great, that I know well how very welcome a word it will be to the
Front that shells of every size, weight, and calibre are pouring out
from the factories in a stream already tremendous, but not yet nearly
at its full volume.
One of the most inspiriting sights I saw on my tour was in the foundry
of a shell factory where the rough forgings were being put through
the first stages of their progress to completed six- and eight-inch
shells. The foundry was a vast place, with chinks of vivid light
glowing through the row of furnace-doors and lighting the hot gloom,
the vaporous film of smoke and steam, the bulky machinery looming
dimly through the half-dark, the hurrying figures of the workmen. A
furnace-door slams open, and a burst of glaring light glows fiercely
over the shop; long irons plunge into the flaming gap, and poke and
prod and hook hastily about the fire; a lump of glowing steel rolls
out, tips over, and thumps down on the inclined floor in front of the
furnace. There is a babel of yells, the rush of flying feet, the
clatter of a truck-barrow, and the red-hot billet of metal is pounced
upon, snatched, and twisted on to the hand truck, rushed to where men
wait its coming grouped about a lumbering press whose massive bulk
towers aloft into the misty gloom. The hot metal is clutched and jerked
into position under the heavy punch, and instantly the machine, with
a gigantic hissing sigh, moves and thrusts downward a smooth-moving
but irresistible punch. A gush of flame and burst of thick black smoke
leaps upward and vanishes swiftly, the punch presses home, stops,
reverses, pulls up and out again. The machine breathes another steamy
sigh, twists the first punch aside, poises another an instant over
the red, glowing metal, and again thrusts, plunging down upon it. One
after another the full set of punches take their turn and squeeze and
press their shape upon the plastic steel. Then the last punch draws
out, and two men jabbing with long levers hook out the metal, still
glowing hot but transformed in these few seconds from a rough round
block to a hollow cylinder; chained pincers grab the cylinder and swing
it rapidly to the drawing-press, where the tough steel is pulled out
like putty and drawn to its required size. When it has worked its will
the drawing-press disgorges the cylinder, cooled now to a deeper hot
rose-red, tumbles it out on the floor, and waits ready for its next
Public-domain text, read in full here on John Shaqi.
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