Dress design $b: an account of costume for artists & dressmakers — John Shaqi
Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
The notable change in the tunic, which was worn both very short and to
the ground, was the arrangement of folds to the back and front, gathered
to a =V= shape at the waist. The hanging sleeve began to go out of favour
after the middle of the century, but the sleeve or cuff covering the
hand was continued till the end of this century.
A sleeve, full at the shoulder, is found, and short, round, padded
sleeves came in, worn over a close-fitting sleeve. This short sleeve
became raised on the shoulder, and was cut or looped up the outer side:
a long loose outer sleeve is also seen in conjunction with these short
ones. A very short jacket is notable, of a plain square shape, with a
plain sleeve on the left arm and a hanging sleeve on the right to the
knee. The tight-fitting jerkin, laced down the front, was worn with this
as with most other coats.
[Illustration: FIG. 33.--End of fifteenth century.]
[Illustration: FIG. 34.--Fifteenth century, 2nd half.]
[Illustration: Plate VIIIa--
(_a_) Suit of Embroidered Silk. 1610-30.
(_b_) Three Sword Hangers Embroidered in Gold. Charles II.
(_c_) Braided Suit. 1670-90.]
[Illustration: FIG. 35.--Fifteenth-century Shoes and Clogs.]
The high collar to the throat had gone out for a collar opened in front.
Very short and very long "chasubles" were worn with or without sleeves
which were gathered high and full at the shoulders. The sleeves
were now sometimes slit open at the back and held with several ties, as
linen sleeves are now shown with these.
Parti-coloured tights were not so much favoured through this period, but
a decorated thigh, or part of the thigh and knee, was a favourite method
of enrichment.
[Illustration: FIG. 36.]
A long coat came in at the later part of this time, with a deep =V=-shaped
collar meeting at the waist; it was also cut into a square shape at the
shoulders, as in Fig. 43 (see p. 119). A loose bell-shaped sleeve
usually went with this, often opened in the front of the upper arm. A
short square cape is at times seen in conjunction with this. A low
square or round neck shape came in during the last quarter of this
century, filled in with a fine gathered lawn and a tight-fitting coat
with a pleated skirt and full padded sleeves, or a tight sleeve
with a full puff or spherical upper part.
[Illustration: FIG. 37.
Nos. 1, 2, 3, 4, 5, 6, 7, 8, second half of 15th century.
Nos. 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, variety of shapes from 1490
to 1630.]
[Illustration: FIG. 38.
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