Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
With the later type of long-skirted coat which began in Charles II's
reign, a heavy style of braiding and buttoning came into vogue, all the
seams of the coat besides the pockets and cuffs and fronts being
braided, which fashion continued to the end of the century. Many coats
began to be embroidered in the later reign, and waistcoats became a
special feature for the display of fine needlecraft on the fronts and
pockets, while quilting or imitations of it in various needlework
designs are often seen. In the female dress a more elaborate interest
was again taken in the stomachers and the jewelled claspings, while
lengths of soft silk gathered into long puffs often edged the outer
skirts or were used in smaller trimmings, and "classical" shapings of
the edges of materials and sleeves are often seen, also heavy bands of
rich embroidery bordered the underskirt or train.
SEVENTEENTH CENTURY. JAMES I. FEMALE.
We find much the same high forms of set-up head-dress continuing in
fashion as in the later years of Elizabeth's reign; but the hair began
to take a fuller shape, rather round, done up in tight frizzled curls,
with the usual decorations of jewels, pearls, or set bows of this
period. Hats with high crowns and small straight brims, with an upright
set of small plumes, gradually assumed a larger brimmed character--often
turned up on one side. The same absurd pleated hoop, with its hanging
skirt, continued for some time (worn rather short); but we also see the
longer and very full hooped-out skirt, with an overskirt opened in the
front. The stomacher front became much enlarged during this reign, many
having shaped designs at the point. Most bodices took a very deep curved
front at the neck, and large padded sleeves narrowed at the wrist still
continued, besides the high fan collar at the back of the neck, and
large ruffs were used by many. There also appeared, later in the reign,
a stiff round collar, set high in the neck, cut off straight across
the front, and the bodice took a very low square-cut neck, with a raised
curved shape at the centre of neck. The tighter sleeve was also worn
throughout this time, with the overdress and sleeve hanging almost to
the ground, which often had a very angular cuff. A little later some
sleeves began to be gathered at intervals into puffy forms. The waist
also showed signs of shortening.
[Illustration: FIG. 58.]
[Illustration: FIG. 59.--Costumes. Period, James I.]
Shoes with rounded toes and latchets holding large rosettes were chiefly
worn, and heels of various heights are seen. Chopins, still worn on the
Continent, do not seem to have appeared here.
SEVENTEENTH CENTURY. JAMES I. MALE.
Public-domain text, read in full here on John Shaqi.
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