[Sidenote: Repeat Map No. 3.] We leave Tuticorin and travel for a
hundred miles across the plain. It is a barren-looking country and dry,
though at certain seasons there is plentiful rain, and crops enough are
produced to maintain a fairly dense population. Far down on the western
horizon, as we journey northward, are the mountains of the Malabar
Coast, for in this extremity of India the Western and Eastern Ghats have
come together and there is no plateau between them. The mountains rise
from the western sea and from the eastern plain into a ridge along the
west coast whose summits are about as high as the summits of Ceylon,
that is to say some 8,000 feet. A group of small hills, isolated on the
plain, marks the position of Madura, a hundred miles from Tuticorin.
Madura is the seat of one of the finest temples in the land.
[Sidenote: 10.
Plan of a South Indian Temple.] A Hindu temple in Southern India usually
consists of a square building rising through several stories which grow
gradually smaller. It is thus pyramidal in form, and is adorned with
tiers of thronged sculpture. Within is a cell containing the image. The
temple itself is surrounded by square and walled enclosures, one without
the other; the great gateways through the successive walls are the chief
glories of southern architecture. Though often larger than the central
shrine, they are not unlike it in general appearance, but rectangular in
plan, not square. They rise story above story to a summit ridge and are
rich with thousands of sculptured figures. These great gateways are
known as gopuras. In the courtyards enclosed between the successive
walls are the homes of the priests, and usually a large water tank and a
hall of a thousand columns. Some of these temples are very wealthy
foundations.
[Sidenote: 11.
The Tank of the Golden Lilies, The Temple, Madura.] [Sidenote: 12.
The Temple, Madura.] [Sidenote: 13.
A Gopura at Madura.] Here we have the tank of the Golden Lilies in the
Temple of Madura, surrounded by a colonnade, with gopuras rising from
beyond; and here another view in the same temple, and here a gopura
photographed from near.
Public-domain text, read in full here on John Shaqi.
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