Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
We have then three different hypotheses concerning Robin Hood, one
placing him in the reign of Richard the First, another in that of
Henry the Third, and the last under Edward the Second, and all
describing him as a political foe to the established government. To
all of these hypotheses there are two very obvious and decisive
objections. The first is that Robin Hood, as already remarked, is not
so much as named in contemporary history. Whether as the unsubdued
leader of the Saxon peasantry, or insurgent against the tyranny of
Henry or Edward, it is inconceivable that we should not hear something
of him from the chroniclers. If, as Thierry says, "he had chosen
Hereward for his model," it is unexplained and inexplicable why his
historical fate has been so different from that of Hereward. The hero
of the Camp of Refuge fills an ample place in the annals of his day;
his achievements are also handed down in a prose romance which
presents many points of resemblance to the ballads of Robin Hood. It
would have been no wonder if the vulgar legends about Hereward had
utterly perished, but it is altogether anomalous[13] that a popular
champion who attained so extraordinary a notoriety in song, a man
living from one hundred to two hundred and fifty years later than
Hereward, should be passed over without one word of notice from any
authoritative historian.[14] That this would not be so, we are most
fortunately able to demonstrate by reference to a real case which
furnishes a singularly exact parallel to the present, that of the
famous outlaw, Adam Gordon. In the year 1267, says the continuator of
Matthew Paris, a soldier by the name of Adam Gordon, who had lost his
estates with other adherents of Simon de Montfort, and refused to seek
the mercy of the king, established himself with others in like
circumstances near a woody and tortuous road between the village of
Wilton and the castle of Farnham, from which position he made forays
into the country round about, directing his attacks especially against
those who were of the king's party. Prince Edward had heard much of
the prowess and honorable character of this man, and desired to have
some personal knowledge of him. He succeeded in surprising Gordon with
a superior force, and engaged him in single combat, forbidding any of
his own followers to interfere. They fought a long time, and the
prince was so filled with admiration of the courage and spirit of his
antagonist that he promised him life and fortune on condition of his
surrendering. To these terms Gordon acceded, his estates were
restored, and Edward found him ever after an attached and faithful
servant.[15] The story is romantic, and yet Adam Gordon was not made
the subject of ballads. _Caruit vate sacro._ The contemporary
historians, however, all have a paragraph for him. He is celebrated by
Wikes, the Chronicle of Dunstaple, the Waverley Annals, and we know
not where else besides.
Public-domain text, read in full here on John Shaqi.
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