England -- Description and travel; James, Henry, 1843-1916 -- Travel -- England
The glories of Chatsworth, which lies but a few miles from Haddon,
serve as a marked offset to its more delicate merits, just as they
are supposed to gain, I believe, in the tourist’s eyes, by contrast
with its charming, its almost Italian shabbiness. But the glories of
Chatsworth, incontestable as they are, were so effectually eclipsed
to my mind, a couple of days later, that in future, when I think of an
English mansion, I shall think only of Warwick, and when I think of an
English park, only of Blenheim. Your run by train through the gentle
Warwickshire land does much to prepare you for the great spectacle
of the castle, which seems hardly more than a sort of massive symbol
and synthesis of the broad prosperity and peace and leisure diffused
over this great pastoral expanse. The Warwickshire meadows are to
common English scenery what this is to that of the rest of the world.
For mile upon mile you can see nothing but broad sloping pastures of
velvet turf, overbrowsed by sheep of the most fantastic shagginess
and garnished with hedges out of the trailing luxury of whose verdure
great ivy-tangled oaks and elms arise with a kind of architectural
regularity. The landscape indeed sins by excess of nutritive
suggestion; it savours of larder and manger; it is too ovine, too
bovine, it is almost asinine; and if you were to believe what you see
before you this rugged globe would be a sort of boneless ball covered
with some such plush-like integument as might be figured by the down on
the cheek of a peach. But a great thought keeps you company as you go
and gives character to the scenery. Warwickshire—you say it over and
over—was Shakespeare’s country. Those who think that a great genius
is something supremely ripe and healthy and human may find comfort
in the fact. It helps greatly to enliven my own vague conception of
Shakespeare’s temperament, with which I find it no great shock to be
obliged to associate ideas of mutton and beef. There is something as
final, as disillusioned of the romantic horrors of rock and forest, as
deeply attuned to human needs in the Warwickshire pastures as there is
in the underlying morality of the poet.
[Illustration: WARWICK CASTLE]
Public-domain text, read in full here on John Shaqi.
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