Essay on the Creative ImaginationRibot, Th. (Théodule)
Science
Essay on the Creative Imagination
Ribot, Th. (Théodule)
Creation (Literary, artistic, etc.); Imagination
There still remains a mass of facts deserving summary notice--the
oddities of inventors. Were we to collect only those that may be
regarded as authentic we could make a thick volume. Despite their
anecdotal character these evidences do not seem to be unworthy of some
regard.
It is impossible to enter here upon an enumeration that would be
endless. After having collected for my own information a large number of
these strange peculiarities, it seems to me that they are reducible to
two categories:
(1) Those inexplicable freaks dependent on the individual constitution,
and more often probably also on experiences in life the memory of which
has been lost. Schiller, for example, kept rotten apples in his work
desk.
(2) The others, more numerous, are easy to explain. They are
physiological means consciously or unconsciously chosen to aid creative
work; they are auxiliary helpers of the imagination.
The most frequent method consists of artificially increasing the flow of
blood to the brain. Rousseau would think bare-headed in full sunshine;
Bossuet would work in a cold room with his head wrapped in furs; others
would immerse their feet in ice-cold water (Gretry, Schiller). Very
numerous are those who think "horizontally"--that is, lying stretched
out and often flattened under their blankets (Milton, Descartes,
Leibniz, Rossini, etc.)
Some require motor excitation; they work only when walking,[26] or else
prepare for work by physical exercise (Mozart). For variety's sake, let
us note those who must have the noise of the streets, crowds, talk,
festivities, in order to invent. For others there must be external pomp
and a personal part in the scene (Machiavelli, Buffon). Guido Reni would
paint only when dressed in magnificent style, his pupils crowded about
him and attending to his wants in respectful silence.
On the opposite side are those requiring retirement, silence,
contemplation, even shadowy darkness, like Lamennais. In this class we
find especially scientists and thinkers--Tycho-Brahe, who for twenty-one
years scarcely left his observatory; Leibniz, who could remain for
three days almost motionless in an armchair.
But most methods are too artificial or too strong not to become quickly
noxious. Every one knows what they are--abuse of wine, alcoholic
liquors, narcotics, tobacco, coffee, etc., prolonged periods of
wakefulness, less for increasing the time for work than to cause a state
of hyperesthesia and a morbid sensibility (Goncourt).
Public-domain text, read in full here on John Shaqi.
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