The second machine must be an artificial man worked by steam, adapted and constructed for virtuous and magnanimous actions. The Academy is of opinion that since no other method appears to exist, steam ought to be capable of directing an animated automaton in the paths of virtue and glory. Candidates for this competition are referred to books of poems and romances for suggestions as to the qualities and powers with which to endow the figure. The reward to be a gold medal weighing four hundred and fifty sequins, stamped on the one side with some fanciful design significative of the age of gold, and on its reverse the name of the inventor of the machine, together with this inscription from the fourth eclogue of Virgil: "Quo ferrea primum desinet ac toto surget gens aurea mundo." The third machine should be empowered to act as a woman, realising the conception formed partly by Count Baldassar Castiglione, who describes his idea in the book of the "Cortegiano," and partly by others, easily discoverable in various writings which must be consulted and combined with those of the Count. Nor ought the invention of this machine to appear impossible to men of our times, when it be remembered that Pygmalion long ago, in an age far from scientific, was able to fabricate a spouse with his own hands, who was considered to be the best woman that had ever existed. To the originator of this machine a gold medal weighing five hundred sequins is assigned, on the one side of which shall be represented the Arabian Phoenix of Metastasio, perched on a tree of some European species, and on the other side shall be written the name of the recipient, with the inscription, "Inventor of faithful women, and conjugal happiness." The Academy decrees that the cost of these prizes must be defrayed with what was discovered in the satchel of Diogenes, late Secretary of this Academy, or by means of one of the three golden asses that belonged to three Sillographic Academicians, Apuleius, Firenzuola, and Macchiavelli; all which property passed to the Sillographists by will of the deceased, as may be read in the Chronicles of the Academy. _DIALOGUE BETWEEN A GOBLIN AND A GNOME._ _Goblin_. You here, son of Beelzebub! where are you going? _Gnome_. My father has sent me to find out what these rascals of men are doing. He is inclined to suspect something, because it is so long since they gave us any trouble, and in all his realms there is not a single one to be seen. He wonders whether any great change has taken place, and thinks perhaps they have returned to the primitive system of barter, whereby they use sheep instead of gold and silver; or the civilised people have become dissatisfied with paper notes for money, as they have often been, or have taken to cowrie shells such as savages use; or the laws of Lycurgus have been re-established. The last possibility seems to him the least likely.