English essays -- 18th century; Fiction; Short stories
Bouhours, whom I look upon to be the most penetrating of all the French
critics, has taken pains to show that it is impossible for any thought to
be beautiful which is not just, and has not its foundation in the nature
of things; that the basis of all wit is truth; and that no thought can be
valuable of which good sense is not the groundwork. Boileau has
endeavoured to inculcate the same notion in several parts of his
writings, both in prose and verse. This is that natural way of writing,
that beautiful simplicity which we so much admire in the compositions of
the ancients, and which nobody deviates from but those who want strength
of genius to make a thought shine in its own natural beauties. Poets who
want this strength of genius to give that majestic simplicity to nature,
which we so much admire in the works of the ancients, are forced to hunt
after foreign ornaments, and not to let any piece of wit of what kind
soever escape them. I look upon these writers as Goths in poetry, who,
like those in architecture, not being able to come up to the beautiful
simplicity of the old Greeks and Romans, have endeavoured to supply its
place with all the extravagancies of an irregular fancy. Mr. Dryden
makes a very handsome observation on Ovid's writing a letter from Dido to
AEneas, in the following words: "Ovid," says he, speaking of Virgil's
fiction of Dido and AEneas, "takes it up after him, even in the same age,
and makes an ancient heroine of Virgil's new-created Dido; dictates a
letter for her just before her death to the ungrateful fugitive, and,
very unluckily for himself, is for measuring a sword with a man so much
superior in force to him on the same subject. I think I may be judge of
this, because I have translated both. The famous author of 'The Art of
Love' has nothing of his own; he borrows all from a greater master in his
own profession, and, which is worse, improves nothing which he finds.
Nature fails him; and, being forced to his old shift, he has recourse to
witticism. This passes indeed with his soft admirers, and gives him the
preference to Virgil in their esteem."
Public-domain text, read in full here on John Shaqi.
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