It is to be hoped that Mr. Weege’s book will supply a want which is
felt the more acutely when we consider the growing interest in antique
painting displayed in the last decades. In 1904 Furtwängler, with the
assistance of the painter Reichhold, began the publication of the
great work on the masterpieces of Greek vase-painting (_Griechische
Vasenmalerei_), which was continued by Hauser: part of the third
volume is now published. In 1906 appeared the first instalment of
Paul Hermann’s great collection of plates after antique, especially
Pompeian, wall-painting; this work, which is still in progress,
contains beautiful reproductions with and without colours (_Denkmäler
der Malerei des Altertums_). Finally, in 1914, Walther Riezler
published a splendid work on the white Attic lekythoi (_Weissgründige
attische Lekythen_). But during these years nobody thought of bringing
to light the treasures hidden away in the sepulchral chambers of
Corneto, Chiusi, and Orvieto, although these pictures were much more
exposed to destruction than either the vases in the well-guarded rooms
of the Museums or the Pompeian wall-paintings. For after heavy showers
the floors of the deeply sunk tombs of Corneto are under water, and the
damp then loosens the tufa of the walls so that the layer of stucco,
on which the colours are laid _al fresco_, peels off. The heavy iron
doors which the Italian Government has placed before the entrances are
worse than useless, because they shut the moisture in and prevent the
tombs from getting dry. If these doors had been placed at the top of
the stairs leading to the tombs, thus changing place with the lattice
doors which are now there, all would have been well. At Corneto, it
is moisture which demolishes the stucco layer, varying from ¼ to
1 cm. in thickness, and bleaches the colours—red chalk, vermilion,
lime-colour, ochre, cobalt, and copper colours, at Chiusi it is the
drought which most frequently destroys the paintings, the colours here
being laid directly on the stone walls.
[Sidenote: THE NY CARLSBERG FACSIMILES]
Public-domain text, read in full here on John Shaqi.
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