Five Hundred Dollars: First published in the "Century Magazine"Chaplin, Heman White
General
Five Hundred Dollars: First published in the "Century Magazine"
Chaplin, Heman White
New England -- Social life and customs -- Fiction
“When the Ten Thousand, in their storied march, reached at last the blue
waters of the Euxine, thrilled with joy they loudly cried: 'The Sea! The
Sea!' So we, travellers likewise, reach at last the Western Ocean; and
for a striking scene upon its waters, I present a Pacific Mail steamer
at her dock in the harbor of San Francisco. In the left foreground is a
Chinese laundry. And now I can hardly restrain myself from passing on
to Asia; for imagination, taking fire, beckons to Niphon and the Flowery
Kingdom. But remorseless Time says no, and we pause at the Golden Gate.
“In closing, now, I will, as is usual, give one or two moral views,
relieved by others of a somewhat playful character.
“First is Napoleon's grave. He who held Europe struggling in his hand,
died a prisoner in solitudes remote, far from home endearments.
“Next you see Daniel Lambert, whose greatness was of a more solid cast.
Less grasping in his pretensions than Napoleon, he lived an honored
life, and died, I understand, among his relatives.
“Next is a picture of the guillotine, calling up thoughts of severed
heads from memory's cloisters. On the left you see a ghastly head; on
the right the decapitated trunk. By the victim stand the bloody actors
in the tragedy. Ladies and gentlemen! When I review the awful guilt of
Marat and Robespierre, humbly do I give thanks that I have been kept
from yielding, like them, to fierce ambition and lust of power, and that
I can lay my head upon a peaceful pillow at my home in Fall River.
“Next is the Serenade. Part one: The Spanish lover with bow-knot shoes,
pointed hat, and mantle over shoulder, stands, with his lute, on the
covered water-butt, while at the casement above is his lady's charming
face. Part two: The head of the water-butt has given way, and the angry
father, from his window, beholds a scene of luckless misery.
“I turn now to a more pleasing view,--the Village Blacksmith. The mighty
man is at his work, and by a triumph of art I am enabled to show his
fine physique in action: now you see his arm uplifted,--and now the
hammer is on the iron. Up--down--up--down. [A voice: “There are two
right arms!”] That arises from some slight defect in the arrangement of
the light; the uplifted arm does not entirely vanish when the lowered
arm appears. But to the thoughtful observer, such slight contrasts only
heighten enjoyment.
“Ladies and gentlemen! A single word in closing. Our transcontinental
journey this evening ended at the Golden Gate. When life's journey ends,
may we not so pause, but, as the poet Judson Backus sweetly sings:--
'May we find an angel wait
To lead us through the “golden gate.”'
“Meanwhile, adieu.”
*****
David Prince and his wife walked slowly home in the clear, cold
moonlight.
Public-domain text, read in full here on John Shaqi.
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