But let me hold fast to the one point which this moment presents to
us. I am aware of the nature of true art; I believe I understand how it
seizes upon the essentials of life and presents to our souls the true
and higher reality. I seem to feel the beating of the pulse of time,
when I permit such art to influence me, and I am horrified when I have
to think what it is which you, Sophy, prefer to this interest in living
art. You turn to what seem to me the obsolete, dogmatically allegorical
themes, to gaze on a show of puppets, instead of on living beings,
and to wonder at symbolical happenings which stand far away from all
that appeals to our pity and to our active sympathies in daily life.
SOPHIA: My dear Estelle, that is exactly the fact that you will
not grasp--that the richest life is to be found just there where
you only see a fantastic web of thoughts: and that there may be,
and are, people who are compelled to call your living reality mere
poverty--if it be not measured by the spiritual source from whence it
comes. Possibly my words sound harsh to you. But our friendship demands
absolute frankness. Spirit itself is as unknown to you as it is to
the multitude. In its place you know only the bearer of knowledge. It
is only the thought side of spirit of which you are aware. You have
no conception of the living, the creative spirit, which endows men
with elemental power, even as the germinal power of nature shapes
living entities. Like many another, for instance, you call things in
art which deny the spirit, as I conceive it, naïve and original. Our
conception of the world unites a full and conscious freedom with the
power of naïve creation. We absorb consciously that which is naïve,
and do not thereby rob it of its freshness, its fulness, and its
originality. You believe that the character of man shapes itself,
and that we can merely form thoughts and considerations about it. You
will not see that thought itself actually merges into creative spirit;
reaching the very fountain of Being; and developing thence into an
actual creative germ.
Public-domain text, read in full here on John Shaqi.
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