Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
summer--or of the Hesperides, (if they were flat, and not close to
Atlas,) golden apples and all, I would give away in an instant, for
one mossy granite stone a foot broad, and two leaves of lady fern.
[12] This, and the following passage, have nothing to do with the
general statements in the book. They occur with reference only to my own
idiosyncrasy. I was much surprised when I found first how individual it
was, by a Pre-Raphaelite painter's declaring a piece of unwholesome
reedy fen to be more beautiful than Benvenue.
20. I cannot find words to express the intense pleasure I have always
in first finding myself, after some prolonged stay in England, at the
foot of the old tower of Calais Church. The large neglect, the noble
unsightliness of it; the record of its years written so visibly, yet
without sign of weakness or decay; its stern wasteness and gloom,
eaten away by the Channel winds, and overgrown with the bitter sea
grasses; its slates and tiles all shaken and rent, and yet not
falling; its desert of brickwork, full of bolts, and holes, and ugly
fissures, and yet strong, like a bare brown rock; its carelessness of
what any one thinks or feels about it, putting forth no claim, having
no beauty, nor desirableness, pride, nor grace; yet neither asking for
pity; not, as ruins are, useless and piteous, feebly or fondly
garrulous of better days; but, useful still, going through its own
daily work,--as some old fisherman, beaten grey by storm, yet drawing
his daily nets: so it stands, with no complaint about its past youth,
in blanched and meagre massiveness and serviceableness, gathering
human souls together underneath it; the sound of its bells for prayer
still rolling through its rents; and the grey peak of it seen far
across the sea, principal of the three that rise above the waste of
surfy sand and hillocked shore,--the lighthouse for life, and the
belfry for labour, and this--for patience and praise.
Public-domain text, read in full here on John Shaqi.
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