Hands Around [Reigen]: A Cycle of Ten DialoguesSchnitzler, Arthur
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Hands Around [Reigen]: A Cycle of Ten Dialogues
Schnitzler, Arthur
Austrian drama -- 19th century; Sex (Psychology) -- Drama; Sexual ethics -- Drama
But as soon as one does not, how shall I express it, as soon as one
does not give oneself up to the moment, I mean, if one thinks of the
future or the past … well, everything is over in a moment… Afterwards …
there is sadness … before … there is uncertainty … in a word, one only
becomes confused. Isn’t that so?
ACTRESS
(_Nods with wide open eyes_) It seems, you have grasped the essence of
things.
COUNT
And, you see, when you have once clearly grasped this, it really
doesn’t matter whether you live in Vienna or in the Puszta[3] or in
Steinamanger.[4] You see, for instance … where may I put my cap? Yes,
thank you … what were we talking about?
ACTRESS
About the Puszta.
COUNT
Of course. Well, as I said, there isn’t much difference, whether I
spend the evening in the officers’ mess or at the club. It’s all the
same.
ACTRESS
And what about love?
COUNT
If you believe in it, some one will always be there who will love you.
ACTRESS
Like Miss Birken, for example.
COUNT
I really don’t see why you always have to come back to that little lady.
ACTRESS
But she’s your mistress, isn’t she?
COUNT
Who says so?
ACTRESS
Everybody knows it.
COUNT
Except myself, strange to say.
ACTRESS
But you fought a duel on her account!
COUNT
Maybe. I was even killed without my knowing it.
ACTRESS
You are a gentleman, won’t you sit closer to me?
COUNT
With pleasure.
ACTRESS
Here. (_She draws him to her, and passes her hand through his hair_) I
knew you would come to-day.
COUNT
How did you know?
ACTRESS
I knew it last night in the theater.
COUNT
You saw me from the stage, then?
ACTRESS
But man alive! Didn’t you notice that I acted for you alone?
COUNT
No, really?
ACTRESS
I was as on wings, when I saw you sitting in the first row.
COUNT
As on wings? On my account? I hadn’t the slightest suspicion that you
noticed me!
ACTRESS
Your aristocratic reserve is enough to drive one to despair.
COUNT
But…
ACTRESS
“But”!… At least, take your saber off!
COUNT
If you permit.
(_Takes it off, and leans it against the bed_)
ACTRESS
And now give me a kiss.
COUNT
(_Kisses her, she clings to him_)
ACTRESS
It would have been better if I had never seen you.
COUNT
But this seems better to me.
ACTRESS
Count, you are a poseur!
COUNT
I—why?
ACTRESS
Can’t you imagine how happy many a man would be if he were in your
place!
COUNT
I’m perfectly happy.
ACTRESS
Well, I thought happiness didn’t exist. Why do you look at me that way?
I believe you are afraid of me, Count!
COUNT
I told you, Mademoiselle, you are a problem.
ACTRESS
Oh, don’t bother me with your philosophy … come to me. And ask me for
anything at all … you can have whatever you want. You are so handsome.
COUNT
Well then, may I ask (_kissing her hand_) that I may call again this
evening?
ACTRESS
This evening … but I have to act then.
COUNT
After the play.
ACTRESS
And you ask for nothing else?
COUNT
I shall ask for everything else after the play.
ACTRESS
Public-domain text, read in full here on John Shaqi.
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